Bukowskis | Contemporary Art & Design No 623 | June 2020

For inquiries please contact Design & 20th Century Works of Art Eva Seeman, +46 708 92 19 69 eva.seeman@bukowskis.com

Design & 20th–21st Century Works of Art Jonatan Jahn, +46 703 92 88 60 jonatan.jahn@bukowskis.com

Design & 20th Century Works of Art Camilla Behrer, +46 708 92 19 77 camilla.behrer@bukowskis.com

Carpets, Textiles & Islamic Works of Art Anette Granlund, +46 708 92 19 92 anette.granlund@bukowskis.com

Head Specialist Art Andreas RydĂŠn, +46 728 58 71 39 andreas.ryden@bukowskis.com

Photographs, Contemporary Art Karin Aringer, +46 702 63 70 57 karin.aringer@bukowskis.com

Contemporary & Modern Art Marcus Kinge, +46 739 40 08 27 marcus.kinge@bukowskis.com

Classic Art, Prints 19th/20th Century Cecilia Berggren, +46 739 96 74 02 cecilia.berggren@bukowskis.com

Cover: Keith Haring, Untitled.

Wednesday June 17

From 1 pm (CEST) Number Design

1001 – 1044

From 2 pm (CEST) Number Photographs Contemporary Art

1045 – 1117 1118 – 1259A

From 6 pm (CEST) Number Important Timepieces N° 622

2001 – 2101

1001. Mats Theselius, an ‘Aluminium’ easy chair, Källemo, Sweden post 1990.

1001. Mats Theselius, an ‘Aluminium’ easy chair, Källemo, Sweden post 1990. Aluminum, beech, seat and back upholstered with braided birch bark, marked with metal label ALUMINIUMFÅTÖLJ No ARKIVEX MATS THESELIUS 1990 KÄLLEMO AB, height 74 cm. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1002. Mats Theselius, a ‘Rörligt objekt’ room divider, Källemo Sweden post 1989. Aluminum, four panels, height 188 cm, width 4 x 48,5 cm. Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790

1003. Lars Englund, a ‘Skelder’ ceiling lamp for Skelder AB, Sweden, post 1993–1994. Shade in white polycarbonate, black silicon details, marked with label Skelder, diameter 38 cm. Literature: Englund, Lars, Lars Englund: [Moderna museet, Stockholm, 4 juni – 4 september 2005], Moderna museet, Stockholm, 2005, p. 594.

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

1004. Thomas Sandell, a ‘Dottie’ cabinet for Firma Svenskt Tenn 2009. No 2 in an edition of 10. Lacquered in white, decorated with multi coloured dots, base and handle in brass, signed II/X juni 2009 Thomas Sandell, height 124 cm, width 80 cm, depth 38 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1005. Karin Björquist, an extensive 153 pcs ‘Nobel’ bone china dinner service, Rörstrand, post 1991. Comprising: 13 large plates, white with gold colored rim, (diam 31 cm) 1 dish with curvy gold rim (diam 31 cm) 30 plates (15 with blue, 15 with yellow rim, diam 21 cm) 15 soup plates (gold rim, diam 21 cm) 30 plates (15 with gold rim, 15 with green rim, diam 25 cm) 15 side dishes (pentagonal with gold rim) 15 bowls with covers (diam 15,2 cm) 6 dessert bowls (diam 17,3 cm) 18 side dishes with gold rim, (diam 17 cm) 2 coffee pots with covers 1 milk jug 2 sugar bowls with covers 20 coffee cups with saucers Stamped maker’s marks. Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1006. Karin Björquist, a 45 pcs ‘Nobel’ bone china part service, Rörstrand, Sweden, post 1991. Comprising 15 dinner plates with blue rim (diameter 25 cm), 15 dinner plates with yellow rim (diameter 15 cm) and 15 dinner plates with green rim (diameter 21 cm). Maker’s stamp. Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1007. A carpet, a machine made pile carpet, ca 380–382 x 287,5–289 cm, probably DESSO the 1970’s. An ivory ground with a large design in red, yellow and a variety of orange nuances. Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1008. Jonas Bohlin, a ‘Concrete’ armchair, Källemo, Värnamo, Sweden 1981. Concrete and iron, signed 67/100 jONAS BOHLIN, height 90 cm, width 49 cm, depth 57 cm, seat height 45,5 cm. (d)

Estimate: SEK 100 000 – 150 000 / EUR 9 300 – 13 940

1009. Per Brandstedt, ‘I sing the body electric 4’, bench, Studio Per Brandstedt 2018. Solid Swedish oak with burnt surface, steel legs, seat height ca 42 cm, length ca 168 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

Per Brandstedt has been working as an artist with focus on design objects, art and interior designs since 1983. His sculptural objects, rooted in local production and with poetic sources of inspiration, are located in the borderland between art and design. The Poem ‘I Sing the Body Electric’ from Walt Whitman’s ‘Leaves of Grass’ was the main inspiration to this collection.

1010. Pierre Olofsson, A carpet, ‘Havsbotten’, knotted pile in relief, ca 201 x 159 cm. Designed by the Swedish painter Pierre Olofsson. Sweden around the middle of 20th century. A rectangular shape with a narrower extension at one end, (the extension is ca 19 x 128 cm). (d)

Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120

1011. Finn Ahlgren, a unique ‘Roccoco armchair’, Studio Finn Ahlgren 2010. Recycled pine, seat and back upholstered in red plush, signed Finn Ahlgren 2010–10–17, height 118 cm. Exhibitions: Stockholm Design Week, Elle Interiör, Stockholm Furniture Fair 2011. (d)

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930 Finn Ahlgren was earlier a part of the design group Godspeed. Since a few years back he is now designing pieces under his own name. Ahlgren works with recycled wood and makes unique creations composed by himself. This chair was created through a wish to recreate a combination with the elegance of the rococo mixed with a rougher juvenile style with the use of primitive materials and manner.

1012. Anders Bruno Liljefors, a plastic sculpture, in collaboration with Tarkett, Ronneby, Sweden ca 1969. Steel profiles, height ca 72 cm. Provenance: Bought directly from the artist, thence by descent. Exhibitions: Porslinsmuseum, the sculpture was shown in an retrospective exhibition of Anders Bruno Liljefors, Gustavsberg, Sweden 2011. Literature: Gösta Arvidsson, ‘Keramikens revolutionär, Anders Bruno Liljefors’, Carlsson bokförlag 2011, see pp 139–141. Anders Bruno Liljefors was one of four artists who were invited to put up art in Tarkett’s new plastic factory for plastic tubes, which was inaugurated in 1969. With the help of waste material, Liljefors made a number of improvised sculptures of plastic. For the opening of the factory he made six sculptures and later he made additional plastic sculptures on Tarkett. He had three colors to choose from; maroon, gray and white, the colors in which the tubes were made. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1010. Pierre Olofsson, A carpet, ‘Havsbotten’, knotted pile in relief, ca 201 x 159 cm. Designed by the Swedish painter Pierre Olofsson.

1013. Anders Bruno Liljefors, a plastic wall sculpture, in collaboration with Tarkett, Ronneby, Sweden ca 1969. Marked to the reverse: ANDERS B. LILJEFORS INTYGAS: Yvonne Liljefors. Measurements ca 67 x 60 cm, depth ca 20 cm. Provenance: Bought directly from the artist, thence by descent. Literature: Gösta Arvidsson, ‘Keramikens revolutionär, Anders Bruno Liljefors’, Carlsson bokförlag 2011, see pp 139–141. Anders Bruno Liljefors was one of four artists who were invited to put up art in Tarkett’s new plastic factory for plastic tubes, which was inaugurated in 1969. With the help of waste material, Liljefors made a number of improvised sculptures of plastic. For the opening of the factory he made six sculptures and later he made additional plastic sculptures on Tarkett. He had three colors to choose from; maroon, gray and white, the colors in which the tubes were made. (d)

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

1015. Olle Baertling, A carpet, ‘Yoy’, handtufted, Baertling/Asplund, ca 199 x 100 cm. A design in green, violet and black by Olle Baertling. The carpet is produced by Asplund in connection with the Baertling–stiftelsen (the Baertling–foundation) after the first painting in this series. It is handtufted in India around 1999. ‘Yoy’ is produced in 50 examples. A label at the back. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120

1014. Jenny Mäkinen, A runner, ‘Jenny’, a rag rug, ca 1120,5 x 71,5–74 cm, Finland the beginning of the 1970’s. A polychrome stripe pattern. Provenance: The runner has been in the family. Jenny Mäkinen lived in the village Laitilla by the lake Pyhäjärvi, Finland.

Estimate: SEK 7 000 – 9 000 / EUR 650 – 840

1016. OWL, a ‘La Pepino’ easy chair with ottoman, in a unique collaboration with Arranging Things, 2019. Base in plywood, upholstered in a blue textile, cylindrical cushions upholstered in yellow, red, blue and pink textile, model ‘Planum’ and produced by Febrik/Kvadrat. Height 70 cm, width 70 cm, length 110 cm, the height of the stool 48 cm. Exhibitions: The chair was a part of Fredrik Paulsen’s installation, ‘Fredriks Funfair’ at The Stockholm Furniture and Light Fair 2020.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

OWL is a Barcelona based design studio that produces furniture and objects by designer Alfredo Lopez. Arranging Things is a multidisciplinary design duo that works mainly with interior design and runs a design shop in Stockholm.

1017. Hanna Hansdotter, a ‘Stuck print’ glass sculpture, The Glass Factory, Boda Glassworks, Sweden 2019.

1018. Hanna Hansdotter, a ‘Stuck print’ glass sculpture, The Glass Factory, Boda Glassworks, Sweden 2019.

Mould blown and silvered glass, color: Golden rose, signed Hanna Hansdotter AP2 2019, height 34 cm. This is the AP2 in an edition of 1+2 AP (Artist’s proof). Glassblower Björn Friborg + Mikael Jacobsson.

Mould blown and silvered glass, color: Golden rose, signed Hanna Hansdotter AP1 2019, height 34 cm. This is the AP1 in an edition of 1+2 AP (Artist’s proof). Glassblower Björn Friborg + Mikael Jacobsson.

(d)

Provenance: Gallery Steinsland Berliner (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

1016. OWL, a ‘La Pepino’ easy chair with ottoman, in a unique collaboration with Arranging Things, 2019.

1019. Fredrik Nielsen, a unique sculpture, ‘I was STAR’, The Garage / The Glass Factory, Boda, Sweden 2013–2019. Glass and aluminium, lacquered in ‘Candy’ carpaint, ca 39 x 26 cm, height ca 56 cm. (d)

Estimate: SEK 18 000 – 20 000 / EUR 1 680 – 1 860

1020. Suzanne Nessim, A rug tufted, ca 143 x 105–106,5 cm, signed Nessim, made in India/Pakistan. An ivory ground with a dark blue and dark brown design of playing children, adults and animals in a landscape with trees. Made in 2–3 examples around 2009 after a drawing. (d)

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

1021. Mats Theselius, an ‘El Dorado’ easy chair for Källemo, Sweden, post 2002. Brass, natural brown leather, birch, label marked EL DORADO by Mats Theselius 2002 No 156/360 KÄLLEMO AB SWEDEN, seat heigt ca 47 cm, height 78 cm, width 65 cm. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1022. Mats Theselius, a ‘Star’ easy chair for Källemo, Värnamo, Sweden, post 2009. Chromed plated steel base, covered in artificial mother of pearl, seat upholstered in white leather, marked with label, STAR Mats Theselius 2009 KÄLLEMO AB 31/360, height ca 80 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

1023. Anna Kraitz, a steel, aluminum and pewter ‘Angel’ stool, Svenskt Tenn, Sweden. Leather upholstery in off–white, signed Anna Kraitz 15. Height ca 44 cm, diameter 38 cm. Exhibitions: Designed for Svenskt Tenn’s 80 year jubilee ‘New Svenskt Tenn’ in 2004.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

1024. Nick Ross, ‘Artefact #1’, ‘Last of the Free Bench’, Studio Nick Ross 2019. Handcarved British ‘Blaxter’ sandstone with tooling decoration, height ca 40 cm, width ca 70 cm. Exhibitions: Wallpaper* award for best design 2020.

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650 Nick Ross’s starting point is often linked to how historical ideals shape and reflect our contemporary. With a critical attitude, Ross explores and challenges historical facts to explain our contemporary. In the work of ‘Last of the Free’, Ross has investigated and reflected on Scotland’s history and how history was characterized by the influence of Rome. The proverb language is characterized by classical Roman antique remains as well as Caledonian remains that are preserved in Scotland’s National Museum. Ross questions why cultures are sacred and why national identities are seen as static and must be protected from external influences? The bench is handcrafted in Edinburgh form Blaxter sandstone which has been quarried in the north of England. This version of the bench has been shown during CHART art fair in Copenhagen 2019, and won a Wallpaper* award for the same year.

1024. Nick Ross, ‘Artefact #1’, ‘Last of the Free Bench’, Studio Nick Ross 2019.

1026. Astrid Sampe, ‘Soft sand’, plied printed fabric, ca 241 x 129 cm.

1025. Åke Axelsson, a pair of beech chairs, ‘Ararat’, executed by Åke Axelsson in 1976. Red beech, hemp cord seat, leather cushion, height 83 cm, seat height ca 40 cm. Exhibitions: Moderna Museet, Stockholm, shown at the exhibition ‘Ararat’ 1976. Literature: Eklund, Petter, Den hållbara formen: Åke Axelsson, Carlsson bokförlag, Stockholm, 2019, pp 151–155. (d)

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

1026. Astrid Sampe, ‘Soft sand’, plied printed fabric, ca 241 x 129 cm (as well as 49–50 cm folded at the back). One side with printed: CLASSIC – CONTEMPORARY, LJUNGBERGS FLODA, SWEDEN. ‘SOFT SAND’ DESIGN Astrid Sampe. (d)

Estimate: SEK 4 000 – 6 000 / EUR 380 – 560

At the opening of the exhibition Signerad textil 1954 this textile pattern is in the foreground in front of the artists Olle Bonniér, Stellan Mörner and Olle Baertling.

1027. OWL, ‘Capsules’, a table and four stools in an unique colaboration with Arranging Things, 2019. Lacquered MDF in yellow and red, height 74 cm, width 160 cm, depth 80 cm. The stools height 45 cm. Exhibitions: The table and stools formed a part of Fredrik Paulsen's installation, ‘Fredriks Funfair’ at The Stockholm Furniture and Light Fair 2020.

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860 OWL is a Barcelona based design studio that produces furniture and objects by designer Alfredo Lopez. Arranging Things is a multidisciplinary design duo that works mainly with interior design and runs a design shop in Stockholm.

1028. Piero Fornasetti, a ‘Leopardo’ wall mirror, Milan, Italy. Rectangular, decorated with foliage in yellow and brown hues, label marked, 80 x 100 cm. Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1029. Piero Fornasetti, an umbrella stand, Milan, Italy. Printed decor with men in different costumes, brass rim, on six feet, marked Fornasetti Milano Made in Italy. Height 57 cm, diameter 26,5 cm. Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

1030. Piero Fornasetti, a red lacquered tray, Fornasetti, Milano Italy 1995. Printed decoration of jewelry against red, label marked and marked FORNASETTI MADE IN ITALY N.9/95. 48 x 60,5 cm. Literature: Patrick Mauriès, ‘Fornasetti, designer of dreams’, Thames & Hudson, 2010, see the model illustrated p 262.

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

1031. Ettore Sottsass, a red and black lacquered ‘Nairobi’ cabinet by Zanotta, Italy, post 1989. Height 178 cm, width 85 cm, depth 55 cm. Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1032. Ettore Sottsass, a ‘Tahiti’, table lamp, Memphis, Milano, post 1981. Base in ‘Bacterio’ patterned laminate, polychrome enamelled metal, adjustable shade with one light socket, marked with label Memphis Milano Ettore Sottsass 1981 Made in Italy, height 69 cm. Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120

1033. Roberto Matta, a sculptured wooden chair, Italy 1970’s. Signed with monogram, height 145 cm. Provenance: Galleria dell’Oca, Rome, acquired straight from the artist.Galleri Östermalm, Stockholm. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

1034. Roberto Matta, a sculptured wooden ‘Tarquinia’ chair, Italy, 1970’s. Marked ‘Etrusculudens Tarquinia’ and signed with a monogram of a duck, height ca 131 cm. Provenance: Galleria dell’Oca, Rome, acquired straight from the artist. Galleri Östermalm, Stockholm. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

1035. Bruno Moinard, a ‘Moscou’ coffee table from ‘The Capsule Collection’ for Promemoria, Italy, 21st Century. Bronze, the top in three parts, patinated in different tones, height 35 cm, length ca 220 cm, width ca 126 cm. Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1036. Nipa Doshi & Jonathan Levien, a ‘My Beautiful Backside’ sofa for Moroso, 2008. Upholstered in green textile, cushions and armrests in various colours, legs in walnut and brass, marked with label Moroso Made in Italy, height 99 cm, length 290 cm, seat height ca 40 cm. Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720

1031. Ettore Sottsass, a red and black lacquered ‘Nairobi’ cabinet by Zanotta, Italy, post 1989.

1034. Roberto Matta, a sculptured wooden ‘Tarquinia’ chair, Italy, 1970’s.

1037. Pietro Derossi & Giorgio Ceretti, a unique ceiling lamp, Italy 1980. Stem in aluminum, 8 shades in pink acrylic, 32 light sockets, height ca 28 cm, the width of the shades ca 40 cm, diameter ca 260 cm. Provenance: Specially ordered for a private collection in Turin, Italy. Literature: Casa Vogue Italia, May 1982, nr 130.

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1038. Gabriella Crespi, a low table ‘Elisse’, from the series ‘New Bronze Age’, Gallery Rita Fancsaly, Milan 2015, nr 2 in an edition of 9. Bronze, adjustable width, marked with signature Gabriella Crespi a monogram and numbered 2/9, height 35 cm, width 129 cm + 120 cm, depth 92 cm. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

Gabriella Crespi (1922–2017). Born in and working primarily in Milan as a designer of furniture and jewelry. From the 1960’s she cooperated with the fashion house Dior for about twenty years. In 2011 the Palazzo Reale in Milan held a retrospective exhibition called ‘Gabriella Crespi, The Sign and The Spirit’. In 2015 Crespi launched “New Bronze Age,” a series of new limited editions of her most iconic works.

1039. Javier Mariscal, ‘Estambul’, a carpet, Nanimarquina, ca 279,5 x 200 cm, Spain the 1990’s, signed Mariscal. A red ground with a dark blue design inspired by Ersari carpets. A wide modernistic border. Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1040. Yrjö Kukkapuro, a ‘Karusellii’ fibre glass and black leather lounge chair and ottoman, Haimi, Finland, 1960–1970’s. The ottoman label marked MADE IN FINLAND DESIGN BY YRJÖ KUKKAPURO HAIMI, seat height ca 38 cm, height ca 88 cm. Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

1041. Ron Arad, a ‘2 R NOT’ chair, 1992, no 6 in an edition of 20. Patinated and polished steel, signed Ron Arad 6/20. Height 76,5 cm, 61 x 61 cm Provenance: Acquired in connection with the exhibition: The Work of Ron Arad. Museum of Applied Arts, Helsinki, Finland in 1995. (d)

Estimate: SEK 150 000 – 200 000 / EUR 13 940 – 18 590

1041. Ron Arad, a ‘2 R NOT’ chair, 1992, no 6 in an edition of 20.

1042. Verner Panton, a pair of ‘Flower Pot’, ceiling lamps for Louis Poulsen, Denmark, 1970’s. Enamelled white shades, marked with label Louis Poulsen & Co, Made in Denmark, diameter ca 50 cm. Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1043. Toni Grilo, a ‘Mousse’ table for Riluc, Portugal 21st century. Stainless steel, coated with copper toned titanium, marked Riluc, height 35 cm, length 120 cm, width 68 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

1044. Toni Grilo, a ‘Mousse’ table for Riluc, Portugal 21st century. Stainless steel, coated with copper toned titanium, height 75 cm, length 107 cm, width 41 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

1097. Detail of Mike & Doug Starn (Starn Twins), ‘Tree 2 gifbim’, 2001.

1045. Dan Wolgers, ‘Här slutar allmän väg’, 1995. Signed Dan Wolgers and dated 1995 and numbered 22/75 on verso. Cibachrome 29 x 49 cm. Literature: Dan Wolgers, ‘Dan Wolgers verksamhet 1977–2001’, Liljevalchs Konsthall, 2001, exhibition catalogue, compare image. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1046. Mick Rock, ‘Life on Mars’, 1973. Signed Mick Rock and numbered 23/50. C–print, image 56 x 39 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1047. Phoebe Rudomino, ‘The Girl in a Room’, 2006. Signed P Rudomino and numbered 5/20 and dated 14/12/12 on verso. C–print mounted to acrylic glass and aluminum 165 x 110 cm. Provenance: Acquired directly from the artist by the current owner. Exhibitions: Another example exhibited at: ‘Out of focus: Photography’ Saatchi Gallery, 2012. ‘Water on the Lens’ County Hall, London Southbank, 2009. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1048. Patrik Andersson, ‘Kate Moss’, 1993. Signed Patrik Andersson and numbered 1/10 on label verso. Archival pigment print, image 80 x 80 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1049. Ann Eringstam, ‘In search of Wonderland #9’, 2011. Signed Ann Eringstam and numbered 2/5 on label on verso. Lambda print mounted to glass 100 x 150 cm. Literature: Ann Eringstam, ‘In Search of Wonderland & Out of the Fog’, 2016, illustrated on fullpage. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1050. Åke E:son Lindman, ‘Prada, Marfa, Texas’, 2015. Signed Åke E:son Lindman and dated 2019 and numbered A.P on label verso. Total edition of 10 + 2 AP. Archival pigment print, image 79 x 98 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

1051. Hans Gedda, ‘Ingmar Bergman’, 1973. Signed Hans Gedda. printed in 2009. Edition 1/10. Gelatin silver print, image 90 x 90 cm. Literature: Estelle af Malmborg (ed.), ‘Contemporary Swedish Photography’, 2012, illustrated on fullpage p. 59. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1052. Tom Baril, ‘Sedum’, late 1990’s. Signed Tom Baril and dated 98 on the mount. Gelatin silver print 59 x 46.5 cm. Provenance: Tres Hombres Art, Halmstad, Sweden.

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1053. Elliott Erwitt, ‘Hippie Couple and Child, Corning, New York’, circa 1969. Signed Elliott Erwitt on verso. Gelatin silver print, image ca 40 x 25 cm. Sheet 50.5 x 40.5 cm. Estimate: SEK 15 000 – 18 000 / EUR 1 400 – 1 680

1054. Christer Strömholm, ‘Kyssen, Paris, 1962’. Signed Christer Strömholm on verso. Gelatin silver print, image 23 x 17 cm. Sheet 24 x 17.8 cm. Literature: Hasselblad Center, ‘Imprints by Christer Strömholm – The Hasselblad Award 1997’, illustrated on p. 85. Christer Strömholm & Centro de la Imagen, ‘Nueve segundos de mi vida – Christer Strömholm’, 1999, illustrated on p. 32. Joakim & Jakob Strömholm, ‘Christer Strömholm 1918–2002, On verra bien’, 2002, illustrated on fullpage p. 60. Joakim Strömholm & Patric Leo (ed.),‘Post Scriptum Christer Strömholm’, 2012, illustrated on fullpage p. 35. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1055. Deborah Turbeville, Untitled from ‘Unseen Versailles’, 1980–1981. Signed Deborah Turbeville and numbered Artist Proof on verso. Gelatin silver print, image 27.5 x 41 cm. Provenance: Directly from the photographer to the current owner.

Estimate: SEK 10 000 – 15 000 / EUR 930 – 1 400

1056. Anders Petersen, ‘Marlene, Café Lehmitz, Hamburg’, 1970. Signed Anders Petersen on verso. Printed in 1999. Gelatin silver print, image 34 x 23 cm. Sheet 39.5 x 30 cm. Literature: Anders Petersen, ‘Café Lehmitz’, 2004, illustrated on p. 63. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

1057. Charlotte Gyllenhammar, ‘Olydnad’, 1997. Signed Charlotte Gyllenhammar and numbered 4/5 on verso. Printed in 2002. C–print, laminate, aluminum 80 x 114 cm. Provenance: Galleri Charlotte Lund, Stockholm. Literature: Magnus Jensner e.a, ‘Charlotte Gyllenhammar’, 2004, illustrated p. 60. (d)

Estimate: SEK 100 000 – 150 000 / EUR 9 300 – 13 940

1058. Sofia Ekström, ‘Tupitsa! Stupid!’, 2013. Signed Sofia Ekström and dated 2013 and numbered 2/7 + 2 AP on verso. C–print 128 x 118 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

1059. Nick Brandt, ‘Elephant Against Sky, Amboseli 2011’. Signed Nick Brandt and numbered 5/12. Archival pigment print, image 101 x 127 cm. Literature: Nick Brandt, ‘Across the Ravaged Land’, 2013, illustrated. (d)

Estimate: SEK 180 000 – 200 000 / EUR 16 730 – 18 590

1060. Terry O’Neill, ‘Brigitte Bardot, Spain, 1971’. Signed Terry O’Neill and numbered 25/50. Also signed by Brigitte Bardot. Gelatin silver print, image 43 x 29 cm. Provenance: Tristans Gallery, Storbritannien. Literature: Terry O’Neill, ‘Terry O’Neill: The A–Z of Fame’, 2013, illustrated on cover and also on fullpage p. 21. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1061. Hans Gedda, ‘Andy Warhol’, 1976. Signed Hans Gedda. Edition 3/10. Gelatin silver print, image 90 x 90 cm. Literature: Hans Gedda, Magnus Olausson and Eva–Lena Karlsson, ’Det tredje ögat’, Nationalmuseum 2013, illustrated on p. 65. Hans Gedda e.a, ‘Nuets ikoner’, 1987, illustrated on p. 38. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1062. Denise Grünstein, ‘Ballroom S:t Petersburg’, 1998. From the series ‘Zone V’. Signed Denise Grünstein on verso. Unique. Lead frame. Gelatin silver print 144 x 120 cm. Provenance: Galleri Mårtenson & Persson, Båstad. Exhibitions: Kiasma, Helsingfors, ‘Figure Out’, 2010. Nationalmuseum c/o Konstakademien, Stockholm, ‘En Face’, 19 February – 3 May 2015. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1063. Dana Sederowsky, ‘Gym, Beelitz Heilstätten’, 2013. Signed Dana Sederowsky on verso and numbered 1/6 + 2 AP. Archival Pigment print, 69 x 105 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1064. Jorma Puranen, ‘Shadows, reflexions and all that sort of things #27’, 2003. Edition 6 + 1 AP. C–print diasec mounted to aluminum 125 x 100 cm. Provenance: Flach + Thulin, Stockholm. Arvid Svensson Collection, Sweden. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1065. Helena Blomqvist, ‘Waterlilies’, 2008. From the series ‘The Last Golden Frog’. Signed Helena Blomqvist and numbered 3/6 on verso. Total edition of 6 + 2 AP. Pigment print, image 87 x 110 cm. Provenance: Lars Bohman Gallery, Stockholm. Literature: Sophie Allgårdh, ‘Passioner och bestyr – svensk konst på 2000–talet’, SAK 2011 publication no 120, 2011, fullpage p. 32. Helena Blomqvist, ‘Helena Blomqvist’, 2012, illustrated on fullpage. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1066. Ebba Matz, ‘Levitation’, 2000. Signed Ebba Matz and numbered 1/3 on verso. C–print mounted to aluminum 120 x 164 cm. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1067. Bruno Ehrs, ‘Carl XVI Gustaf, Skeppsholmen, maj 2002’. Signed Bruno Ehrs and numbered 30/50. Printed in 2016. Pigment print, image 81 x 64 cm. Sheet 111 x 91 cm. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1068. Pentti Sammallahti, Untitled, 1974. Signed Pentti Sammallahti and dated ‘74. Gelatin silver print, image 23 x 18.3 cm. Sheet 29.5 x 23.5 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 560 – 750

1069. Ansel Adams, ‘Near Corral de Tierra’, 1977. Signed Ansel Adams and annotated ‘For reproduction’ on the mount. The photographer’s and Hasselblad’s credit stamp on the reverse of the mount. Gelatin silver print laid down on cardboard, image 25.5 x 26.5 cm. Cardboard 41.2 x 33.6 cm. Provenance: The current owner was employed by Hasselblad AB for eleven years and left the company in 1978 and received this print as a farewell gift.

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

1070. Peter Beard, ‘Jacques–Henri Lartigue’, 1984. Signed and dated 1984 and bears dedication: ‘To the one & only L’artigue! Inestimable admiration Warmest Regards, Always Peter (Beard)’. Triptyche framed together. Gelatin silver print, image 13 x 18 cm and 18 x 36 cm. Estimate: SEK 30 000 – 35 000 / EUR 2 790 – 3 260

1071. Edward Weston, ‘Nude’, 1920. Signed Cole Weston and stamped ‘Negative by Edward Weston printed under the supervision of Cole Weston’ on verso. Printed later, 1970’s. Gelatin silver print, image 18.5 x 23.5 cm. Provenance: Acquired from Cole Weston, San Francisco. Camera Obscura, Stockholm. Karin & Lars Hall’s Collection. Private Collection, Stockholm. Acquired at Bukowskis, Vårens Contemporary 585, May 2015. Exhibitions: Camera Obscura, Stockholm, ‘Edward Weston’, 16 December – 22 January 1978. Literature: Charis Wilson, ‘Edward Weston Nudes’, 1977, illustrated on fullpage p. 19. Michael E. Hoffman, ‘Edward Weston: Fifty Years’, 1973, illustrated on fullpage p. 90.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1072. Withdrawn

1073. Terry O’Neill, ‘Audrey Hepburn with dove, St Tropez’, 1967. Signed Terry O’Neill and numbered AP/50. Total edition of 50 + 10 AP. Gelatin silver print, image 69 x 45.5 cm. Literature: Terry O’Neill, ‘Terry O’Neill: The A–Z of Fame’, 2013, illustrated on p. 104 and on fullpage p. 145. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1074. Anton Corbijn, ‘22:U2’, 1982–2003. Portfolio with 22 photos of U2, published in 2004. Each photograph signed and numbered 3/22 on verso and also on the mount. C–print and gelatin silver print, image 24 x 35.5 cm and 13 x 35.5 cm. Box 53.5 x 47 cm. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1079. Lovisa Ringborg, ‘The End of Reason’, 2007. From the series ‘The Limbo Pictures’ 2007–2009. Signed Lovisa Ringborg and numbered AP 1 on label verso. C–print silicone mounted to acrylic glass 125 x 125 cm. (d) Estimate: 60 000 – 80 000 SEK / 5 580 – 7 440 EUR

Hans Gedda, ‘Nelson Mandela’, 1990 On the 25th of October 1962 Nelson Mandela was sentenced to life imprison– ment for, amongst other things, being an active member of ANC (African National Congress), inciting workers’ strikes and sabotage. He was locked up on Robben Island where he spent the following 18 years. In February 1990 Mandela travelled abroad for the very first time after having been released from Pollsmoore Prison in Cape Town, where he had been kept since 1982. His first trip as a free man was to Sweden. He partly came to meet his friend Oliver Tambo who was being cared for here, and partly to draw attention to the fact that Sweden had been one of the countries that had supported the fight against apartheid persistently and for a very long time. Hans Gedda took the now world–famous photos of the visit for the Gothenburg Post. The newspaper published the photo with the clenched fist, the most recognised of these images, on a full page. The motif in the

auction of a smiling Nelson Mandela is also the e–book cover of his auto– biography Conversations With Myself from 2010. The images were taken in great haste at the Swedish foreign office in Stockholm. Then Foreign Minister Sten Andersson held the flash. Gedda probably took ten exposures in total. He kept to his rule of no unnecessary clicks. Furthermore time was short and an important meeting was waiting. No one remembers what that meeting was about. But few will forget the images.

1092A. Hans Gedda, ‘Nelson Mandela’, 1990. Signed Hans Gedda. Also signed and numbered 3/10 on verso. Gelatin silver print mounted to aluminum and framed, image 89 x 89 cm. Estimate: 120 000 – 150 000 SEK / 11 160 – 13 940 EUR

1075. Torbjörn Calvero, ‘Jimmy Page – Led Zeppelin, Earl’s Court, London 23 maj 1975’. Signed Torbjörn Calvero and dated 2011 and numbered AP 2/2 on verso. Total edition of 9 + 2 AP. Gelatin silver print 188 x 124 cm. Including frame 196 x 132 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1076. Helmut Newton, ‘SUMO’, 1999. Signed Helmut Newton and numbered 00144/10000. Book published by Taschen, Monte Carlo, 1999, 71 x 51 cm. Comes in the original box from Taschen. With a metal table designed by Phillipe Starck. Estimate: SEK 70 000 – 80 000 / EUR 6 510 – 7 440

1077. Martin Schoeller, ‘Jeff Koons with Floral Headpiece, New York’, 2013. Signed and dated 2015 and numbered 5/5 on label verso. Archival pigment print mounted to aluminum and framed 108 x 88 cm. Provenance: Camera Work, Berlin. (d)

Estimate: SEK 120 000 – 150 000 / EUR 11 160 – 13 940

1078. Åke E:son Lindman, ‘Flatiron Building, NYC’, 1997. Signed Åke E:son Lindman and dated 2016 and numbered 1/5 on label verso. Archival pigment print, image 240 x 118 cm. (d)

Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300

1079. Lovisa Ringborg, ‘The End of Reason’, 2007. From the series ‘The Limbo Pictures’ 2007–2009. Signed Lovisa Ringborg and numbered AP 1 on label verso. C–print silicone mounted to acrylic glass 125 x 125 cm. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1080. Maria Friberg, ‘Alongside Us #3’, 2007. Signed Maria Friberg and numbered 2/5 on verso. C–print mounted to glass 60 x 160 cm. Literature: Maria Friberg e.a, ‘Maria Friberg’, 2008, illustrated.Maria Friberg e.a, ‘Changed Positions’, 2015, illustrated.

Estimate: SEK 70 000 – 90 000 / EUR 6 510 – 8 370

1081. Eve Sussman, ‘Marilisa on the Floor’, 2005. Still from the ‘Rape of the Sabine Women’. Certificate issued by Galleri Bo Bjerggaard 7 January 2016 accompanies the work. Digital C–print, image 90 x 134 cm. Provenance: Galleri Bo Bjerggaard, Copenhagen. (d)

Estimate: SEK 70 000 – 90 000 / EUR 6 510 – 8 370

1082. Uta Barth, ‘Untitled 05.14’, 2005. Signed Uta Barth and dated 2005. Diptych. Edition 2/6 + 2 AP. Face–mounted chromogenic prints 61 x 64 cm and 40.6 x 43 cm. Provenance: Sies + Höke Galerie, Düsseldorf. Andréhn–Schiptjenko, Stockholm. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1083. Jimmy Nelson, ‘XXXIII23, Kundu Dancers Mount Bosavi, Papua New Guinea’, 2017. Signed on certificate issued in 2018. Edition 1/3. Chromogenic print mounted to aluminum, image 120 x 180 cm Including frame 140 x 200 cm. Provenance: The PhotoGallery, Halmstad. (d)

Estimate: SEK 150 000 – 180 000 / EUR 13 940 – 16 730

1084. Terry O’Neill, ‘Faye Dunaway, Hollywood, 1977’. Signed Terry O’Neill and numbered AP. A total edition of 50 + 10 AP. Signed certificate included in Lot. C–Print, image 66 x 66 cm. Literature: Terry O’Neill, ‘Terry O’Neill: The A–Z of Fame’, 2013, illustrated on p. 104 and on fullpage p. 105. (d)

Estimate: SEK 120 000 – 140 000 / EUR 11 160 – 13 020

1085. Patrik Andersson, ‘Mini Andén’, 2001. Signed Patrik Andersson on verso. Pigment print on Hahnemühle Fine Art Paper mounted to aluminum 24 x 38 cm. Provenance: Sandeng Gallery, Göteborg. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1086. Blaise Reutersward, ‘CTCS307’, 2015. Signed BLAISE REUTERSWARD and numbered 4/5 on label verso. Total edition of 5 + 2 AP. C–print diasec mounted and framed 180 x 230 cm. (d)

Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300

1087. Gunnar Smoliansky, ‘Slussen’, 1952. Signed Gunnar Smoliansky on verso. Vintage. Gelatin silver print, image 19.5 x 19.5 cm. Estimate: 15 000 – 20 000 SEK / 1 400 – 1 860 EUR

1088. Gunnar Smoliansky, ‘Slussen’, 1952. Signed Gunnar Smoliansky on verso. Vintage. Gelatin silver print, image 19 x 19 cm. Estimate: 15 000 – 20 000 SEK / 1 400 – 1 860 EUR

Gunnar Smoliansky In December 2019 Gunnar Smoliansky’s footsteps could no longer be heard across the streets of Stockholm. His photographic career had begun back in the 1950s and since then Smoliansky’s wanderings through the city have resulted in a multitude of minimalist snapshots of Stockholm and its inhabitants. Many of his images have over time become iconic documents, showing architecture and city life strikingly different from today despite the passing of only a few decades. An excellent example of this are the two images of the Slussen area, taken in 1952. They depict a functionalistic built structure, loved by some and hated by others and which, with the arrival of the much– talked about ‘Guldbron’ (The Golden Bridge), is now gone forever. But the images also give us an impression of the people that passed across the waters of Söderström. The dramatic compositions, with great contrasts between daylight and the darkness of the tiled tunnels, speak of Smoliansky’s sharp photographic eye. An admiration for Henri Cartier Bresson and André Kertesz, two world–famous photographers with street life as their primary motif, is also hinted at. Wherever Smoliansky went he used that eye. The twenty–four photographs of Slussen were taken when the photo– grapher was only nineteen and on his way home from work as a night guard at the Stadsgården docks – hence the beautiful morning light. Through his images a unique iconography of the urban capital Stockholm is created.

In 1987 Carl–Johan Malmberg reflected on Smoliansky’s images of Slussen as they were exhibited at the Lido cinema in Stockholm: ‘Exemplary: If there existed a centre in Gunnar Smoliansky’s imagery it is perhaps Slussen in Stockholm with its stairs, bridges, handrails, railway tracks and streets. A little girl peeing on a Södermalm backyard, a tram in São Paolo, a pine–tree forest in Hälsingland are all random points on concentric circles that all emanate from there. And time is equally concentric: images from the early fifties – the boys’ haircuts and hats, a basket – become strangely contemporary. No tissue of time past lay between them and us anymore. Perhaps reality to Gunnar Smoliansky is a series of intimately associated rooms, tiny bright spots in time.’ Characteristic of all Smoliansky’s images is the feeling of mysteriousness and melancholy, often accentuated by a narrow field of vision. The impression is of a distance between photographer and motif. In his still lifes everyday details are masterfully highlighted. This theme is represented in this sale by two small images taken in June 1979 and depicting a beautifully shaped tap and a door–handle. 1089. Gunnar Smoliansky, ‘Hemma 16 juni 1979’. Signed Gunnar Smoliansky on verso. Vintage. Gelatin silver print, image 9 x 6 cm. Sheet 12 x 9 cm. Estimate: 10 000 – 12 000 SEK / 930 – 1 120 EUR

1087. Gunnar Smoliansky, ‘Slussen’, 1952. Signed Gunnar Smoliansky on verso. Vintage. Gelatin silver print, image 19.5 x 19.5 cm. Provenance: Directly from the photographer to the current owner. Literature: Estelle af Malmborg (ed.), ‘Contemporary Swedish Photography’, 2012, illustrated on fullpage p. 160. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

1088. Gunnar Smoliansky, ‘Slussen’, 1952. Signed Gunnar Smoliansky on verso. Vintage. Gelatin silver print, image 19 x 19 cm. Provenance: Directly from the photographer to the current owner. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

1089. Gunnar Smoliansky, ‘Hemma 16 juni 1979’. Signed Gunnar Smoliansky on verso. Vintage. Gelatin silver print, image 9 x 6 cm. Sheet 12 x 9 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120

1090. Gunnar Smoliansky, ‘29 juli 1986’. Signed Gunnar Smoliansky on verso. Vintage. Gelatin silver print, image 8.3 x 5.5 cm. Sheet 12 x 7.5 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120

1091. Gunnar Smoliansky, ‘24 juni 1979’. Signed Gunnar Smoliansky on verso. Vintage. Gelatin silver print, image 9.5 x 6 cm. Sheet 11.5 x 7 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120

1092. Andreas Johansson, Untitled. Photographic collage, 127 x 194 cm. Including frame 133 x 202 cm. Provenance: Acquired directly from the artist by the current owner. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1092A. Hans Gedda, ‘Nelson Mandela’, 1990. Signed Hans Gedda. Also signed and numbered 3/10 on verso. Gelatin silver print mounted to aluminum and framed, image 89 x 89 cm. Literature: Estelle af Malmborg (ed.), ‘Contemporary Swedish Photography’, 2012, illustrated on fullpage p. 59. Magnus Olausson e.a, ‘Hans Gedda; Det tredje ögat’, 2013, illustrated on fullpage p. 101. (d)

Estimate: SEK 120 000 – 150 000 / EUR 11 160 – 13 940

1093. Jacob Felländer, ‘Hong Kong 48’, 2011. Signed Jacob Felländer and dated 2011 and numbered 1/5 on verso. Permanent pigment print 100 x 243 cm. Exhibitions: Fotografiska, Stockholm, ‘I want to live close to you’, 6 May – 28 August 2011. MOCA Miami, Art Basel 2017, 6 December 2017 – 11 February 2018. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1094. David LaChapelle, ‘Negative Currency, 1 Yuan used as Negative’, 2010. Signed David LaChapelle and numbered 5/5 on label on verso. Chromogenic print mounted to acrylic glass and framed, image 71 x 153 cm. Provenance: Wolfgang Roth and Partners Fine Art, Miami.

Estimate: SEK 225 000 – 250 000 / EUR 20 910 – 23 240

1095. David Drebin, ‘Girl in New York’, 2011. Signed David Drebin and numbered 3/10 on verso. C–print mounted to aluminum and framed 76 x 136 cm. Provenance: Hamburg Kennedy Photographs, New York.

Estimate: SEK 50 000 – 70 000 / EUR 4 650 – 6 510

1096. Masayoshi Sukita, ‘Keep Your ‘Lectric Eye,’ 1973. Signed Sukita and numbered 4/10. C–print, image 70 x 66 cm. Sheet 101 x 75.5 cm. Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1097. Mike & Doug Starn (Starn Twins), ‘Tree 2 gifbim’, 2001. Signed on label verso. Printed in 2010. Unigue. Epson K3 Ultrachrome inkjet print on Gampi paper with varnish, 68.5 x 204 cm including frame. Provenance: Doug + Mike Starn Studio, Beacon NYC.

Estimate: SEK 200 000 – 250 000 / EUR 18 590 – 23 240

1098. Dana Sederowsky, ‘Black Knot #8’, 2013. Signed Dana Sederowsky and numbered 1/6 + 2 AP on the back of the frame. Archival pigment print 140 x 100 cm. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1099. Matts Leiderstam, ‘Selbstbildnis’, 2003. Signed Mats Leiderstam and numbered 1/3 on verso. Diptyk. C–print, image 25 x 20 cm per part. Framed together 49 x 66 cm. Exhibitions: Badischer Kunstverein, Karlsruhe, 2007. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1100. Helen Broms Sandberg, ‘Still Leben #21’, 1991. Signed H Sandberg and dated –05 on verso. Edition 1/2. Black and white photograph mounted to crystal glass 150 x 122 cm. Exhibitions: Galleri Skarstedt, Stockholm, ‘Still Leben’, 2006. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1100A. Andreas Kock, ‘Stalker I’, 2010. Signed Andreas Kock on label verso. Edition 8/15. C–print mounted on aluminum and framed 119 x 159 cm. Provenance: Link Image Art Edition, Stockholm. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1101. Denise Grünstein, Triptyche from the series ‘Jaisana’, 1999. One of the parts signed Denise G and dated –99 and numbered A.P 8/12 on verso. Gelatin silver print, image ca 12 x 17 cm and 16 x 12 cm. (d)

Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790

1102. Leif–Erik Nygårds, ‘Marilyn Monroe and Norma Jeane Baker photographed in Los Angeles at Bel Air Hotel, June 27th 1962’. Signed Leif–Erik Nygårds and numbered 6/24 on verso. Printed later. Pigment print, image 68 x 100 cm. (d)

Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300

1103. Mathias Johansson, ‘Louise Bourgeois’, 1998, N.Y.C. Signed Mathias Johansson and numbered 18/20 on verso. Gelatin silver print, image 46.5 x 36.5 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

Irving Penn, ‘Tribesman with Nose Ornament (New Guinea, 1970)’ Between 1964 and 1971 Irving Penn carried out seven different projects that are often referred to as his ethnographic studies. He travelled with a portable studio and photographed different ethnic and cultural groups around the world. Penn always used local collaborators who helped him contact and chose potential models. In May 1970 Penn was commissioned by Vogue to travel to New Guinea. There he photographed, among other subjects, warriors wearing traditional and ceremonial masks and clothing – one of these is Tribesman with Nose Ornament. The images from the visit to New Guinea were published in several features in Vogue, where he worked for 65 years. He managed to balance his commercial commissions with personal projects of a totally different kind, yet they were executed with the same professionalism and sense for exquisite and understated compositions. People and objects are generally depicted against simple backgrounds using few props and natural light. It is telling that he named one of his books Worlds In A Small Room. Even on longer journeys to places such as Peru,

West Africa, Nepal, New Guinea or Morocco he used that same studio. In this way he was able to capture the entire world in one tiny room. Penn has told several sources about these fascinating meetings with people from indigenous populations or other minorities. In the book Worlds In A Small Room he writes: ‘These remarkable strangers would come to me and place themselves in front of my camera and in this clear north sky light I would make records of their physical presence. The pictures would survive us both and at least to that extent something of their already dissolving cultures would be preserved forever’. 1104. Irving Penn, ‘Tribesman with Nose Ornament (New Guinea, 1970)’. Signed Irving Penn and dated 1990 on verso. Also stamped ‘Photograph by Irving Penn copyright 1970 by Irving Penn Courtesy of Vogue’ on verso. Edition of 18. Selenium toned gelatin silver print, 45 x 47.5 cm. Estimate: 100 000 – 125 000 SEK / 16 730 – 18 590 EUR

Wilhelm Mundt, ‘Trashstone 519’ In 1989 Wilhelm Mundt created the sculpture ‘Stein 001’. It became the first in an ongoing chronological series that has come to be known as ‘Trashstones’. The project forms the basis of his artistic practice, with the declared goal of creating 1000 artworks for this series. In all the Trashstone sculptures it is possible to glimpse something beneath the surface of the closed forms. Concealed within there is material and remnants gathered from Mundt’s studio, which is then encapsulated inside the pieces. The sculptures are reminiscent of organic shapes in nature, like rocks formed over thousands of years. The shiny surfaces (often in bright colours), on the other hand, resemble futuristic sci–fi capsules. Each

sculpture in the series is unique in terms of size, shape and colour, yet they are all connected in kinship through their chronological numbering. Wilhelm Mundt was born in 1959 in Grevenbroich, Germany, and educated at the Kunstakademie in Düsseldorf. In 2009 he was appointed Professor at the Dresden Academy of Fine Arts and has had many distinguished international solo shows. 1168. Wilhelm Mundt, ‘Trashstone 519’. Production waste in fibre glass 99 x 55 x 50 cm. (d) Estimate: 160 000 – 180 000 SEK / 14 870 – 16 730 EUR

1104. Irving Penn, ‘Tribesman with Nose Ornament (New Guinea, 1970)’. Signed Irving Penn and dated 1990 on verso. Also stamped ‘Photograph by Irving Penn copyright 1970 by Irving Penn Courtesy of Vogue’ on verso. Edition of 18. Selenium toned gelatin silver print, 45 x 47.5 cm. Provenance: Pace/MacGill Gallery, New York. Literature: Irving Penn & Alexandra Arrowsmith (ed), ‘Passage, a work recorded’, 1991, illustrated on p. 191. Irving Penn, ‘Worlds in a small room’, 1974, illustrated.

Estimate: SEK 180 000 – 200 000 / EUR 16 730 – 18 590

1105. Adam Fuss, From the series ‘My Ghost’, 1999. Marked AF #978 on verso. Unique. Gelatin silver print, image 39.4 x 29.8 cm. Provenance: Cheim & Read, New York. Galleri Charlotte Lund, Stockholm. Exhibitions: Galleri Charlotte Lund, Stockholm, ‘My Ghost’, 16 November – 22 December 2000. (d)

Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720

1106. Robert Frank, From ‘10th Street Painters’, 1950–1960. Signed Robert Frank. With dedication on verso. Signed in April 2000. Gelatin silver print, image 23 x 31 cm. Provenance: Gift from the photographer to current owner. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1107. Antanas Sutkus, ‘J.P Sartre and Simone de Beauvoir in Lithuania, Nida, 1965’. Signed A. Sutkus and titled on verso. Gelatin silver print, image 33 x 49.7 cm. Sheet 39.7 x 49.7 cm. Literature: Antanas Sutkus, ‘Sartre et Beauvoir Cinq Jours en Lituanie’, 2005, illustrated on cover. Antanas Sutkus, ‘Retrospective’, 2009, illustrated. (d)

Estimate: SEK 30 000 – 35 000 / EUR 2 790 – 3 260

1108. Antanas Sutkus, ‘Marathon at University Street, Vilnius’, 1959. Signed A. Sutkus on the mount. Gelatin silver print, image 45 x 29 cm. Sheet 47 x 31.5 cm. Literature: Antanas Sutkus, ‘Fotografijos/Photographs 1959– 1999’, 2000, illustrated on p. 35. Antanas Sutkus, ‘Lietuvos Žmonės/People of Lithuania’, 2015, illustrated on p. 149. (d)

Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120

1108. Hans Gedda, Untitled. Signed Hans Gedda and numbered 1/3 on verso. Analogue silver– and copper toned gelatin silver print, image 94 x 75 cm. (d)

Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720

1109. Dawid (Björn Dawidsson), ‘#6144’ from the series RAN, 2000. Signed on verso. Printed in 2002. Vintage. Edition 1/2. Gelatin silver print on baryta paper, image 19x24 cm. Including the original frame executed by the photographer 49.5 x 55 cm. Exhibitions: Eyubi, Stockholm, 2003. Nordic Light Festival of Photography, Kristiansand, 2010. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1110. Dawid (Björn Dawidsson), ‘1958’, from the series PW2, 1985. Signed on verso. Printed in 2003. Edition 2/2 AP. Gelatin silver print on baryta paper, image 19x24 cm. Including the original frame executed by the photographer 49.5 x 55 cm. Exhibitions: Eyubi, Stockholm, 2003. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1111. Sune Jonsson, ‘Begravningsfölje, Nyåker, Nordmalings socken, 1956’, ur ‘Byn med det blå huset’. Signed Sune Jonsson on verso. Gelatin silver print 18 x 23.7 cm per part. Framed together 37.5 x 157 cm. Provenance: Acquired directly from the photographer by the current owner. Literature: Sune Jonsson, ‘Byn med det blå huset’, 1959, illustrated on p. 113–115. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1112. Henry B. Goodwin, ‘Vårt vackra Stockholm’, 1920. ‘Vårt vackra Stockholm’ published in 1920 to benefit the Daniel Fallström Fund. Numbered 114/200. Published by Bröderna Lagerström Boktryckare. Half–binding in calf leather and linnen. 39 photo gravures. Illustrations by Ernst Hällgren, Olle Hjortzberg, Louis Sparre, Robert Haglund, Ferdinand Boberg, Axel Herman Hägg, Knut Lindeberg and Aron Gerle. 33 x 25 cm. Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1113. Zhang Dali, ‘Slogan – Communism is eating from the same big pot’, 2013. Signed Zhang Dalin and dated 2013. Signed certificate issued by Eight Art Gallery in 2016 accompanies the work. Cyanotype photogram and ink on rice paper, image 95 x 67 cm. Provenance: Eight Art Gallery, Singapore.

Estimate: SEK 18 000 – 25 000 / EUR 1 680 – 2 330

1113A. Jacob Felländer, ‘The 57th Street Plan’, 2013. Signed Jacob Felländer and numbered 2/5 on verso. Total edition of 5 + 2 AP. Also signed on the certificate. C–print mounted to glass 80 x 180 cm. (d)

Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300

1114. Terry O’Neill, ‘Honor Blackman as Pussy Galore, Malta’, 1963. Signed Terry O’Neill and numbered 2/50. Printed later. Gelatin silver print, image 111 x 111 cm. Provenance: Tres Hombres Art, Halmstad, Sweden. Literature: Terry O’Neill, ‘Terry O’Neill: The A–Z of Fame’, 2013, illustrated on p. 333. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1114A. Albert Watson ‘David Bowie, The Finger, New York City, 1996’. Signed Albert Watson and numbered 12/25 on verso. Gelatin silver print, image 60 x 46.5 cm. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1115. Gisèle Freund, ‘Frida Kahlo, Mexico City, 1948’, 1952. Signed Gisèle Freund on verso. Bears the photographer’s copyright stamp on verso. Gelatin silver print, image 21.8 x 17.5 cm. Sheet 24 x 18 cm. Literature: Musee National d’art moderne Centre Pompidou, ‘Gisele Freund Itineraires’ , 1991, illustrated on p. 93. (d)

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

1116. Gisèle Freund, ‘Le Corbusier dans son atelier à Paris’, 1961. Signed Gisèle Freund. Bears the photographer’s copyright stamp on verso. Gelatin silver print, image 20 x 30 cm. Sheet 30.5 x 40.5 cm. Literature: Musee National d’art moderne Centre Pompidou, ‘Gisele Freund Itineraires’ , 1991, illustrated on p. 126. (d)

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

1117. Gisèle Freund, ‘Marc Chagall dans son atelier à Vence, 1954’. Signed Gisèle Freund. Bears the photographer’s copyright stamp on verso. Gelatin silver print, image 29.8 x 28.5 cm. Sheet 40.5 x 30.5 cm. Provenance: Acquired directly from the photographer by the current owner. (d)

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

1118. Rita Lundqvist, ‘Strand’. Signed Rita Lundqvist and dated 1998 on verso. Oil on masonite 22 x 18 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1119. Jan Håfström, Untitled. Signed Håfström and numbered 1/3 HC. Painted metal. Height 100 cm. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1143. Joakim Ojanen, Untitled. Signed Joakim Ojanen and dated 2015. Glazed ceramic, height 48 cm. Provenance: Galleri Thomassen, Gothenburg. (d) Estimate: 50 000 – 60 000 SEK / 4 650 – 5 580 EUR

1121. Martin Wickström, ‘Blåklintsstigen’ (detail). Signed Martin Wickström and dated 2011 on verso. Also signed M/W–11 and dedication on verso. Canvas 91 x 70 cm. (d) Estimate: 60 000 – 80 000 SEK / 5 580 – 7 440 EUR

1120. Rolf Hanson, Untitled. Signed Rolf Hanson and dated 2004. Panel 80 x 90 cm. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1121. Martin Wickström, ‘Blåklintsstigen’. Signed Martin Wickström and dated 2011 on verso. Also signed M/W–11 and dedication on verso. Canvas 91 x 70 cm. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1122. Martin Wickström, ‘Disa’. Signed Martin Wickström and dated 1996 on verso. Mixed media with assemblage 42 x 40 cm. (d)

Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790

1123. Peter Köhler, ‘Untitled’. Signed P. Köhler and dated 2012 on a label affixed to the back of the frame. Ink on paper 65 x 50 cm. Provenance: Galleri Magnus Karlsson, Stockholm. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 400 – 1 860

1124. Anders Knutsson, ‘Race Street Covered, VII #51’. Signed Anders Knutsson and dated 1975 on verso. Oil and wax on cotton canvas 87 x 84 cm. Provenance: Galleri Mårtenson & Persson, Stockholm.

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1125. Lena Cronqvist, ‘Fotografering’. Signed Lena Cronqvist and dated –91. Canvas 86 x 47 cm. Provenance: Galleri 54, Gothenburg. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1126. Mimmo Paladino, Untitled. Signed M Paladino and dated 89 and numbered 4/6. Bronze. Height 34 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

1127. Ernst Billgren, Untitled. Signed with monogram. Oil on panel and glass 122 x 117 cm including artist’s frame. (d)

Estimate: SEK 150 000 – 175 000 / EUR 13 940 – 16 270

1128. Barbro Bäckström, ‘Porträtt av Grace Jones’. Signed Barbro Bäckström and dated 1986 and numbered 2/8. Iron. Height 42.5 cm, width 45 cm including base. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1129. Ola Billgren, ‘Studie i rött V’. Signed Ola Billgren and dated –94 on verso. Oil on canvas 28 x 34 cm. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1130. Helene Billgren, ‘Anne’. Signed Helene Billgren and dated 2013 on verso. Acrylic on panel 85 x 74 cm. Provenance: Galleri Magnus Karlsson, Stockholm. Exhibitions: Liljevalchs konsthall, Stockholm, ‘faran är över’ 11 October – 8 December 2019. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1131. Helene Billgren, ‘Puck i fara’. Signed Helene Billgren and dated 2012 on verso. Panel 115 x 100 cm. Exhibitions: Borås Konstmuseum, Borås, ‘The End’, 20 October 2012 – 13 January 2013. Literature: Sveriges Allmänna Konstförening, ‘Helene Billgren – The End’, 2012, catalogue No. 121, illustrated on fullpage p. 122–123. (d)

Estimate: SEK 100 000 – 125 000 / EUR 9 300 – 11 620

1132. Charlotte Gyllenhammar, ‘Hinder och Förklädnader 2’. Signed C.G. and dated 2003. Edition 1/2. Polyester. Height 42 cm, length 56 cm, width 25 cm. Provenance: Galleri Charlotte Lund, Stockholm. (d)

Estimate: SEK 100 000 – 150 000 / EUR 9 300 – 13 940

1133. Elisabeth Frieberg, ‘A Third Layer No 1’. Signed E. Frieberg and dated 2013. Mixed media on paper 50 x 49.5 cm. Provenance: Young Art Gallery, Stockholm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1134. Kristina Bength, ‘Skiftningar inuti bilden av ett namn #2’. Executed in 2009. Watercolour 117x150 cm. Provenance: Galleri Flach, Stockholm. Exhibitions: Galleri Flach + Thulin, Stockholm, ‘Skiftningar inuti bilden av ett namn’, 2 April – 10 May 2009. Literature: Galleri Flach + Thulin, Stockholm, ‘Skiftningar inuti bilden av ett namn’, 2009, exhibition catalogue, illustrated. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

1135. Patrik Andiné, ‘Flyttlåda’. Signed Andiné. Also signed Patrik Andiné and dated 2012 on verso. Panel 41 x 48 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1136. Karin Mamma Andersson, ‘Samora’. Signed Karin Mamma Andersson and dated 1997 on verso. Oil on panel 46 x 62 cm. (d)

Estimate: SEK 100 000 – 125 000 / EUR 9 300 – 11 620

1137. Tommy Hilding, Untitled. Signed Tommy Hilding and dated 1993 on verso. Canvas 130 x 100 cm. (d)

Estimate: SEK 50 000 – 70 000 / EUR 4 650 – 6 510

1138. Tommy Hilding, Untitled. Signed Tommy Hilding and dated 1993 on verso. Canvas 130 x 100 cm. (d)

Estimate: SEK 50 000 – 70 000 / EUR 4 650 – 6 510

1139. Lars Lerin, ‘Birches’. Signed Lars Lerin. Watercolour 152 x 102 cm. (d)

Estimate: SEK 175 000 – 200 000 / EUR 16 270 – 18 590

1140. Andreas Eriksson, ‘Car passes at 19:24. 15/10, 2010’. Signed Andreas Eriksson and dated 2011 on verso. Acrylic on dibond 100 x 85 cm. Provenance: Galleri Riis, Stockholm. (d)

Estimate: SEK 100 000 – 125 000 / EUR 9 300 – 11 620

1141. Roj Friberg, ‘Ur Spöksonaten’. Signed Rf and dated 96. Mixed media 53 x 73 cm. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1142. Magnus ‘NUG’ Gustafsson, Untitled. Signed NUG and dated 2016 on verso. Spray paint on canvas 160 x 140 cm. (d)

Estimate: SEK 70 000 – 90 000 / EUR 6 510 – 8 370

1143. Joakim Ojanen, Untitled. Signed Joakim Ojanen and dated 2015. Glazed ceramic, height 48 cm. Provenance: Galleri Thomassen, Gothenburg. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1144. Hans Isaksson, ‘SLOW #3 (SNOW)’. Signed Hans Isaksson and dated 2006 on verso. Silk embroidery mounted on panel. Diameter 70 cm. Provenance: Roger Björkholmen Gallery, Stockholm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1145. Martin Jacobson, ‘Fåglar II’. Executed in 2007. Ink on paper, image 35.5 x 54.5 cm. Provenance: Andréhn–Schiptjenko, Stockholm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1146. Bjarne Melgaard, Untitled. Signed Bjarne Melgaard and dated 2004 on verso. Canvas 200 x 300 cm. Provenance: Lars Bohman Gallery, Stockholm. Exhibitions: Lars Bohman Gallery, Stockholm, ‘Bjarne Melgaard’, 13 November – 19 December 2004. (d)

Estimate: SEK 250 000 – 300 000 / EUR 23 240 – 27 890

1147. Leontine Arvidsson, ‘#3, 2015 (CHART)’. Signed certificate dated 20150917 accompanies the work. Rebar. Length 180 cm, width 80 cm, depth 50 cm. Exhibitions: AnnaElleGallery, Stockholm. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1148. Ola Billgren, ‘Anfäktelse II’. Signed Ola Billgren and dated –97 on verso. Canvas 52 x 61 cm. Provenance: Galerie Leger, Malmö, Sweden. (d)

Estimate: SEK 125 000 – 150 000 / EUR 11 620 – 13 940

1149. Ola Billgren, ‘Caféfönster, Venedig’. Signed Ola Billgren and dated –99 on verso. Canvas 95 x 128 cm. Provenance: Galerie Leger, Malmö. Exhibitions: Galerie Leger, Malmö, ‘Målningar, Ola Billgren’ 27 November – 21 December 1999. (d)

Estimate: SEK 300 000 – 350 000 / EUR 27 890 – 32 530

1150. Lars Englund, Untitled. Metal with enamel 132 x 132 cm. (d)

Estimate: SEK 30 000 – 35 000 / EUR 2 790 – 3 260

1151. Helene Billgren, ‘Storming’. Signed Helene Billgren and dated 2013 on verso. Acrylic on panel 115 x 100 cm. Provenance: Galleri Magnus Karlsson, Stockholm. Exhibitions: Liljevalchs konsthall, Stockholm, ‘faran är över’ 11 October – 8 December 2019. (d)

Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300

1152. Jan Håfström, Untitled. 9 paintings mounted together in a window. Acrylic on panel 20x23 cm per part. Frame 74 x 83 cm. Provenance: Stockholms Auktionsverk, Nutida auktionen, 22 May 2012, Cat. No. 283. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1153. Bård Breivik, Untitled. Signed Bård Breivik and dated 2001. lacquered wood. Length 32 cm. (d)

Estimate: SEK 20 000 – 30 000 / EUR 1 860 – 2 790

1154. Martin Kippenberger, Untitled. Signed M.K and dated 1992. Photographic collage 119 x 99 cm. Provenance: Galerie Gisela Capitain, Köln. (d)

Estimate: SEK 100 000 – 150 000 / EUR 9 300 – 13 940

1155. Claes Oldenburg, ‘Ice Bags and Bananas’. Signed CO and dated –69. Ball point pen on paper 13 x 8 cm. Provenance: Sotheby’s New York, 2000. Private Collection, Sweden.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1156. Richard H. Pettibone, ‘Andy Warhol Campbell´s Soup Can – Vegetable Soup’. Signed RP and dated 1987 and numbered 6–25 on verso. Silkscreen on canvas 17.5 x 13 cm. Estimate: 100 000 – 125 000 SEK / 9 300 – 11 620 EUR

Richard H. Pettibone, ‘Andy Warhol Campbell´s Soup Can – Vegetable Soup’ For over five decades Richard Pettibone has questioned the basic concepts of art in his carefully executed miniatures of masterpieces from art history. As one of the pioneers in what came to be known as ‘Appropriation Art’ he began, already in the 1960s, to produce small–scale versions of Roy Lichtenstein’s comic panels, Frank Stella’s curved lines, or Andy Warhol’s soup cans, for example. By copying artists more or less contemporary to himself he contributed important components to Postmodernism’s mix of inspiration, borrowing and re–using. In his imitations (sometimes done as exact replicas, sometimes with details added or removed) he explores the notion of ownership and the important role that material and technique plays in an artwork. Warhol’s work has been a great influence on Pettibone’s entire career. He was highly affected by the legendary exhibition at Ferus Gallery in Los Angeles in 1962 where 32 Cans of Campbell’s Soup was first shown. The 32 paintings (one for each flavour of Campbell soup) were hung in a long

row in the gallery. At the time many people were shocked by the aesthetic, borrowed from the advertising world, yet the piece contributed to Pop Art’s breakthrough on the American West Coast. Despite the shared starting points in Warhol and Pettibone’s art their way of working is clearly different. Contrary to Warhol Pettibone considers his creative practice a rigorous and precise craft. The artworks retain an integrity due, in part, to the precision that is afforded to the details, while their limited size creates intimacy. The familiar images emerge in new contexts and so the viewer’s associations are transferred from the original piece to Pettibone’s. Just like Warhol taking an image from commercial advertising and making it his own, Pettibone in turn takes one of Warhol’s pieces and transforms it yet again. As Pettibone himself has said about his interpretations of Warhol’s work: ‘He was already copying, so why not copy the copy?’.

1157. Christo & Jeanne–Claude, ‘Package on a hand truck (Project)’, 1973. Signed Christo and dated 1973. Charcoal, pencil, fabric, string, staples, cardboard 40.5 x 27.7 cm. Estimate: 300 000 – 400 000 SEK / 27 890 – 37 180 EUR

Christo & Jeanne–Claude, ‘Package on a hand truck (Project)’, 1973 Christo Vladimirov Javacheff was born in Gabrovo, Bulgaria in a well– established and culturally interested family. His wife Jeanne–Claude Denat de Guillebon (1935–2009) was born in Casablanca, Morocco in a French military family. For over 50 years, the two artists worked successfully together as ‘Team Christo’. Their monumental and amazing installations where they wrapped urban and landscape elements have given them world fame. Before the various projects could be realized in a large scale, the artistic idea emerged in preparatory sketches, collages, drawings and scale models. These works of art executed in Christo’s studio are to be considered im– portant steps in the creative process. They all have their own value and document the artistic development of the project and provided an opportunity to finance the major projects. The lots in this theme auction can be found at different offices of Bukowskis and it shows several parts of this versatile and visionary artistry.

‘Christo and his partner Jeanne–Claude are renowned for their wrapped buildings, bridges, and environmental surfaces. Since 1958, Christo has worked independently on a series entitled Wrapped Objects and Packages, which is intended to be shown indoors–including Package on Hand Truck. Unlike the large–scale public projects he produced with Jeanne–Claude, whose interiors are often known, if not visible, the nips and folds of the workmanlike brown canvas tied with ordinary household rope in Package on Hand Truck are carefully designed to suggest–but never specify–the contents within. Instead, Christo emphasizes the work’s poverty of means, signified by the tarpaulin and common rope as well as by the hand truck, which replaces the noble pedestal of traditional sculpture and insists on the mobility of the object. Our response to it strikes no political chord (as their public projects often do); instead, it sounds a personal note, asking the viewer to decide whether the hidden contents are playful, puzzling, or threatening.’ Whitney Museum of Modern Art, which have a Package on Hand truck, 1973 in their collection.

1156. Richard H. Pettibone, ‘Andy Warhol Campbell’s Soup Can – Vegetable Soup’. Signed RP and dated 1987 and numbered 6–25 on verso. Silkscreen on canvas 17.5 x 13 cm. Provenance: Stockholms Auktionsverk, December 2017, lot no 4045.

Estimate: SEK 100 000 – 125 000 / EUR 9 300 – 11 620

1157. Christo & Jeanne–Claude, ‘Package on a hand truck (Project)’, 1973. Signed Christo and dated 1973. Charcoal, pencil, fabric, string, staples, cardboard 40.5 x 27.7 cm. Provenance: Peder Bonnier Collection. Private Collection, Sweden.

Estimate: SEK 300 000 – 400 000 / EUR 27 890 – 37 180

1158. Fernandez Arman, ‘Camera’. Signed Arman and numbered 62/95. Patinated bronze. Height 32 cm, width 50 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1159. Terry Winters, ‘Application Domanis #10’. Signed and dated 1997. Graphite on paper 45 x 36 cm. Provenance: Matthew Marks Gallery, New York.

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1160. Lars Lerin, ‘Interiör’. Signed Lars Lerin and dated 2013. Watercolour 100 x 152 cm. (d)

Estimate: SEK 300 000 – 325 000 / EUR 27 890 – 30 210

1161. Clay Ketter, ‘#28 Northwest’. Signed Clay Ketter and dated 2005 on verso. Mixed media on panel 92 x 118 cm. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1163. Karin Broos, ‘Flickorna på bron’. Signed Karin Broos and dated 2007 on verso. Acrylic on canvas 110 x 163 cm. (d) Estimate: 225 000 – 250 000 SEK / 20 910 – 23 240 EUR

1162. Anders Widoff, Untitled. Signed Anders Widoff and dated 1989–91 on verso. Canvas 33 x 50 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

1163. Karin Broos, ‘Flickorna på bron’. Signed Karin Broos and dated 2007 on verso. Acrylic on canvas 110 x 163 cm. Provenance: Galleri Christian Larsen, Stockholm. Literature: Ingela Lind and Hasse Persson (ed.), ‘Karin Broos – Speglingar’, 2011, illustrated on full page p. 51. (d)

Estimate: SEK 225 000 – 250 000 / EUR 20 910 – 23 240

1164. Mats Gustafson, ‘Rådjur V’. Watercolour on paper 77 x 57 cm. Provenance: Galleri Charlotte Lund, Stockholm. (d)

Estimate: SEK 30 000 – 35 000 / EUR 2 790 – 3 260

1165. Anders Knutsson, ‘Inferno’. Signed Anders Knutsson. Oil and wax on hand made paper 56.5 x 62.5 cm. Provenance: Galleri Plan B, Växjö.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1166. Jonathan Lasker, ‘SAP GREEN/WHITE’. Signed J. Lasker and dated 2001 on verso. Mixed media on paper 11 x 15 cm. Provenance: Lars Bohman Gallery, Stockholm.

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1167. Georg Baselitz, Untitled. Signed G. Baselitz and dated 22.IX.95. Bears dedication. Pencil on paper 25.4 x 17 cm. Provenance: A gift from the artist to the current owner. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

Keith Haring, ‘Untitled’. ‘Drawing is still basically the same as it has been since prehistoric times. It brings together man and the world. It lives through magic.’ During his short life, Keith Haring came to define the dynamic and unique cultural environment that evolved in the 80’s in the lower parts of Manhattan, New York. His explosive and direct style of expression originated from graffiti. The first piece of art he created was drawn in white chalk on the subway’s empty advertising signs. Haring was born in 1958 in the middle–class suburb of Reading, Pennsylvania. He was fascinated by pop culture and showed an early talent for drawing as a young man, which led to studies at the School of Visual Art in New York. He arrived in New York during redefining times of change. High culture and sophisticated taste coexisted with a swinging nightlife. The contrasts between poverty and abundance were obvious. A new generation of artists, among them Jean–Michel Basquiat and Kenny Scharf, sprung from this melting pot of fine art and street–culture. Haring had his first solo show in 1982, at Tony Shafrazi’s iconic gallery in Soho. It became the start of his career. It was shortly after this, in April 1983, that he completed the drawing ‘Untitled’ now to be auctioned at Bukowskis. In his paintings he created a visual language using symbols, or ‘icons’, which makes his images both typical for the 80’s and simultaneously timeless. The snakes that appear in ‘Untitled’ are such a recurring timeless motif. Snakes can be interpreted as a reference to Christianity where the snake symbolizes, among other things, sin. Keith Haring himself described his motifs with the following sentences: ‘The images are part of the collective consciousness of modern man. Sometimes they stem from world events, sometimes from ideas about technology or people changing roles in relation to God and evolution. All of the drawings use images that are universally ‘readable’. They are often inspired by popular culture.’

1169. Keith Haring, ‘Untitled’. Signed Haring and dated April 26–83 on verso. Unique. Certificate enclosed ‘Identification number: 091399A2’. Sumi ink on paper 59 x 74 cm Estimate: 900 000 – 1 100 000 SEK / 83 650 – 102 230 EUR

1168. Wilhelm Mundt, ‘Trashstone 519’. Production waste in fibre glass 99 x 55 x 50 cm. Provenance: Galleri Andersson/Sandström, Stockholm. Exhibitions: Galleri Andersson/Sandström, Stockholm, ‘New Sculptures’, 31 March – 8 May 2011. (d)

Estimate: SEK 160 000 – 180 000 / EUR 14 870 – 16 730

1169. Keith Haring, ‘Untitled’. Signed Haring and dated April 26–83 on verso. Unique. Certificate enclosed ‘Identification number: 091399A2’. Sumi ink on paper 59 x 74 cm. Provenance: Cannes Enchères, auction, 27–28 February 2016. Private Collection, acquired at the above auction.

Estimate: SEK 900 000 – 1 100 000 / EUR 83 650 – 102 230

1170. Haruko Maeda, ‘The Funeral March’. Signed Haruko Maeda and dated 2010/2011 on label verso. Watercolour on paper 80 x 150 cm. Provenance: Christian Larsen Gallery, Stockholm.

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1171. Gal Weinstein, ‘Untitled’. Signed and dated 2015–16 on verso. Plaster on MDF 150 x 80 cm. Provenance: CF Hill, Stockholm. Exhibitions: CF Hill, Stockholm, ‘Archaeology of Utopia’, 17 February – 10 March 2017.

Estimate: SEK 50 000 – 70 000 / EUR 4 650 – 6 510

1172. Andreas Eriksson, ‘I ateljén kl 21.04 12 augusti 2004 (Peripeti)’. Signed Andreas Eriksson and dated 2004 on verso. Acrylic and msa varnish matt (golden) on mdf 75 x 60 cm. Provenance: Galleri Riis, Oslo. Exhibitions: Galleri Riis, Oslo, 2004. Kristianstad konsthall, ‘Exposition – Peripeti’, 22 October 2004 – 16 January 2005. Literature: Andreas Eriksson, ‘Exposition – Peripeti’, exhibition catalogue Kristianstad konsthall, 2004, illustrated on p. 17. (d)

Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300

1173. Linnéa Jörpeland, From the series ‘Nigning’. Signed Linnea Jörpeland and dated 2011 and numbered 30/30. Foundry mark 2011. Sculpture/Table lamp in bronze and wood. Height 49 cm. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1174. Olav Christopher Jenssen, ‘Ritual No.09’. Signed Jenssen and dated 2008–2015 Berlin/Lyn on verso. Canvas 71 x 50.5 cm. (d)

Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720

1175. Tomas Lundgren, ‘Apart’ (4a–b)’. Signed Tomas Lundgren and dated 2015–16 on verso. Diptych. Canvas 41 x 31 cm per part. Provenance: CF Hill, Stockholm. Private Collection, Stockholm. Exhibitions: CF Hill, Stockholm, ‘Reenact’, 19 January – 10 February 2017. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1176. JPW 3, Untitled. Signed JPW3 and dated 2015 on verso. Mixed media and wax on canvas 51.3 x 41 cm. Estimate: SEK 16 000 – 20 000 / EUR 1 490 – 1 860

1177. Fredrik Hofwander, Untitled. Pencil on paper 56 x 78 cm. Provenance: Brändström & Stene, Stockholm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1178. Barbro Östlihn, ‘Gare du Nord’. Signed Östlihn and dated –76. Canvas 110 x 140 cm. Exhibitions: Galerie Baudoin Lebon, 1978. Galerie Aronowitsch, Stockholm, September – October 1979, cat no 4. Moderna Museet, Stockholm, 1984, cat no 29. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1179. Öyvind Fahlström, Untitled. Executed 1957–1959. Lacquer, cado and Indian ink 19 x 32 cm. Exhibitions: Sturegalleriet, Stockholm, 1960. Galerie Bel’Art, Stockholm, ‘Öyvind Fahlström – Early Drawings 1948–1961’, February – April 2014. Literature: Teddy Hultberg, ‘Öyvind Fahlström – Early Drawings 1948–1961’, exhibition catalogue, 2014, illustrated pl. 20. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

Dick Bengtsson, ‘Sommaren 1941’ The painting Sommaren 1941 was first shown at Dick Bengtsson’s debut exhibition at Galleri Observatorium in Stockholm during the autumn of 1963. He exhibited a total of eight paintings in the show; the series Oktober– ceremoni I–IV and four other pieces executed between 1962 and 1963.

The debut exhibition at Galleri Observatorium received a lot of attention in the three major daily newspapers Dagens Nyheter, Svenska Dagbladet and Stockholms–Tidningen. Stig Johansson’s review in Svenska Dagbladet ran under the title ‘A Wayward Debutant’.

Sommaren 1941 has the distinctive shiny patina that’s become the hallmark of Bengtsson’s work. He created the surface by first coating the dried oil painting with glaze. Next he went over the glaze with an iron so as to achieve a blotched, distorted patina before finally varnishing the painting. In this manner he developed a unique style that gives the impression of anything from leather to shimmering gilding. The execution of his paintings was also unusual. The motifs, often found in newspapers and encyclopaedias, were painstakingly traced on millimetre–squared paper, transferred onto panels and then put together into brand new compositions.

Dick Bengtsson did not sell much of his work during the 1960s. Towards the end of the fifties he had begun working for the Swedish postal services as a postman in order to make ends meet. However, his fellow artists admired Bengtsson’s work and a circle of collectors and museum people already began to realise his greatness during his short lifetime and spoke of him as an ‘artists’ artist’. Even today we still see clear traces of the impact Dick Bengtsson has had on Swedish contemporary painting, sculpture and installation art. Artists such as Ernst Billgren, Karin Mamma Andersson, and not least Cecilia Edefalk all highlight his importance as a source of inspiration for their work. In 1987 Edefalk painted a paraphrase to Bengtsson’s Richard i Paris (1970), calling her monumental painting Dad. Dick Bengtsson’s position as one of the most innovative and interesting 20th century Swedish artists was publically confirmed through solo shows at the Gothenburg Museum of Art in 2001 and at Moderna Museet in 2006, where the painting Sommaren 1941 was included.

In the basic catalogue produced for the exhibition (only consisting of a few typed out sheets) there is an interview with Bengtsson conducted by the gallerist at Bergsundsstrand in Stockholm. Beneath the headline ‘On Form and Camouflage’ the following lines can be read: The patina has become a ‘doubleness’ – sometimes it is beautiful but it is always a camouflage. The glaze should not be seen as something decisive, what is important is the representation. A camouflage that is too perfect stops being camouflage. (Pollock camouflaging a desert.)

1181. Dick Bengtsson, ‘Sommaren 1941’, (detail). Signed Dick Bengtsson. Executed in 1962. Mixed media on panel 61 x 50 cm. (d) Estimate: 300 000 – 400 000 SEK / 27 890 – 37 180 EUR

1180. Ulrik Samuelson, Untitled. Signed Ulrik Samuelson and dated 1994 and numbered 4/12 on verso. Gold leaf, ceramic tile, wood 48 x 29 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 930 – 1 120

1181. Dick Bengtsson, ‘Sommaren 1941’. Signed Dick Bengtsson. Executed in 1962. Mixed media on panel 61 x 50 cm. Exhibitions: Moderna Museet, Stockholm, ‘Dick Bengtsson’, 21 January – 30 April 2006. Galleri Observatorium, Stockholm, November 1963. Work No. 7 in the exhibition list. (d)

Estimate: SEK 300 000 – 400 000 / EUR 27 890 – 37 180

1182. Roj Friberg, ‘Nocturne’. Signed R.F and dated –14. Mixed media 57.5 x 79.5 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

1183. Bård Breivik, Untitled. Executed in 1984. Diabase. Width 46 x 46 cm, height 23 cm. Litterature: Samlaren, ‘Skulpturer, Bård Breivik’, 1986, exhibition catalogue, illustrated. Provenance: BarBar, Stockholm. Acquired by the current owner in 1986. Exhibitions: BarBar, Stockholm, 1986. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1184. Alfred Boman, Untitled. Signed Alfred Boman and dated 2016 on verso. Mixed media on canvas 193 x 147.5 cm including frame. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1185. Patrik Andiné, Untitled. Signed Andiné. Canvas 60 x 54 cm. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

Rolf Hanson, ‘Tourgoasi’ The intense colour scheme and powerful vividness of ‘Tourgoasi’ makes it immediately clear that its creator must be Rolf Hanson. Colour has always played a central role in his work, characterised as it is by its skilful treatment and rich tones. Rolf Hanson’s paintings oscillate between the abstract and the figurative, between surface and depth. It is from these oppositions that he shapes his unique and personal style, full of energy and rhythm. No matter if he is working on a pictorial series of stairs or buildings or letting colour roam free in abstract compositions, the tension between the spatial and the flat surface of the canvas is always present. It is this that gives his paintings their distinctive harmony. ‘Tourgoasi’ is the highlight of a group of works executed between 1990 and 1991, inspired by Arnold Böcklin’s late 19th century painting ‘Island of the

Dead’, which itself was made in several versions. Here Hanson’s play with light and darkness, form and surface, join together in complex and evocative ways. The enigmatic sensation elicited by Böcklin’s iconic work, which has fascinated writers, poets and artists throughout the centuries, can also be found in Hanson’s painting. Set in context with his other paintings from the 1990s it has an unusually composed pictorial space; the tall, bright cliff walls rise up from the sea to guide the viewer’s gaze towards the cypresses’ dark shadows.

1190. Rolf Hanson, ‘Tourgoasi’. Signed Rolf Hanson on verso. Executed in 1990. Panel 148 x 180 cm. Estimate: 900 000 – 1 100 000 SEK / 18 590 – 23 240 EUR

Lotta Hannerz, ‘Game’ Lotta Hannerz’s work often takes the form of trompe l’oeil–like pieces that exist somewhere between the two– and three–dimensional. She works with paintings, objects, sculptures and installations. Everything bears the mark of a very personal expression and the titles add yet another dimension to the experience of the works. The painting ‘Game’ was first presented at the exhibition ‘oblikt’ (oblique) at Lars Bohman Gallery in the spring of 2014. Svenska Dagbladet’s art critic Joanna Persman visited the exhibition and wrote the following lines in her review: ‘Lotta Hannerz takes jokes seriously. Just like the artist Erik Dietman, under whom she was a Special Student. Just like Marcel Duchamp – the godfather of her work. And just like René Magritte, who knew that the common denomi– nator between writing and drawing is the line.

Hannerz’s inventive art plays with proportions, optical illusions and puns. The title of the current show indicates this. Oblique is a term within grammar and rhetoric that signifies something inflected or indirect. Within typography the word signifies a so–called ‘false italic’, that is to say a slanted version of a Roman type font. […] In Lotta Hannerz’s art the intellect is usually dressed up in comedy. Her clever imagery is crazy enough to entertain whilst serious enough to be a reminder of the enigmatic nature of the world.’

1196. Lotta Hannerz, ‘Game’. Signed Lotta Hannerz and dated 2014 on verso. Canvas 144 x 120 cm. Estimate: 100 000 – 125 000 SEK / 9 300 – 11 620 EUR

1186. Olav Christopher Jenssen, ‘Ritual No.08’. Signed Jenssen and dated 2003/2009/2015 Berlin/Lyn on verso. Canvas 71 x 50,5 cm. (d)

Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720

1187. Olav Christopher Jenssen, Untitled. Signed Jenssen and dated 2008/2015 Berlin/Lyn on verso. Canvas 71 x 50.5 cm. (d)

Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720

1188. Juri Markkula, ‘Desat Ground’. Signed Juri Markkula and dated 2016 on verso. Pigmented polyvinyl, polyurethan, 100 x 100 x 13 cm. Exhibitions: Galerie Ora–Ora, Hong Kong, ‘Black: Categorize’, 6 September – 13 October 2018. (d)

Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300

1189. Linn Fernström, ‘Vandrande Kroppihophållare’. Signed Linn Fernström and dated 2005 on verso. Pencil on paper 76 x 56 cm. Provenance: Galleri Lars Bohman, Stockholm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1190. Rolf Hanson, ‘Tourgoasi’. Signed Rolf Hanson on verso. Executed in 1990. Panel 148 x 180 cm. Provenance: Björn Bengtsson Collection, Varberg. Literature: Lars–Göran Oredsson, Svensk Nutidskonst 6, 1994, Rolf Hanson, illustrated on p. 30. Lars Nittve (ed.), ‘Rolf Hanson’, 1995, illustrated on p. 12. (d)

Estimate: SEK 200 000 – 250 000 / EUR 18 590 – 23 240

1191. Rolf Hanson, ‘Hic et Nunc’. Signed Rolf Hanson and dated 2008 on verso. Panel 95 x 92 cm. (d)

Estimate: SEK 100 000 – 125 000 / EUR 9 300 – 11 620

1192. Fernandez Arman, ‘Bon Santé’. Signed Arman and dated Essai –96. Unique. Prototype for multiples edition by Galleri GKM. Accumulation of blue Carlsberg bottle caps in plexi glass. Height 42 cm including the base. Depth 5 cm, width 25 cm. The base depth 9 cm, width 29 cm. This work is recorded in the Arman Studio Archives, New York, with number: APA# 8003.96.008. Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1193. Ernst Billgren, ‘Upptäckt’. Signed EB. Executed in 2008. Oil on panel and glass 113 x128 cm including frame. Provenance: Galleri Erik Steen, Oslo. Exhibitions: Galleri Erik Steen, Oslo, 2008. (d)

Estimate: SEK 150 000 – 200 000 / EUR 13 940 – 18 590

1194. Ernst Billgren, ‘Mats’. Signed Ernst Billgren. Executed in 1990. Mixed media and mosaic. Height 45 cm. Provenance: Lars Bohman Gallery, Stockholm. Acquired by the present owner in the mid 1990’s. Literature: Andrew Solomon, Galleri Krister Fahl, ‘Ernst Billgren Asimutal’ 1993, illustrated on p. 24. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1195. Ola Billgren, ‘Klädnad X’. Signed Ola Billgren and dated –91 on verso. Canvas 70 x 65 cm. Provenance: Galleri Engström, Stockholm. Exhibitions: Galleri Engström/Bonnier–huset, Stockholm, 2–24 November 1991. (d)

Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300

1196. Lotta Hannerz, ‘Game’. Signed Lotta Hannerz and dated 2014 on verso. Canvas 144 x 120 cm. Provenance: Lars Bohman Gallery, Stockholm. Exhibitions: Lars Bohman Gallery, Stockholm, ‘oblikt’, 5 April – 11 May 2014. (d)

Estimate: SEK 100 000 – 125 000 / EUR 9 300 – 11 620

1197. Jacob Dahlgren, ‘Peinture abstrait numero cent vingt trois’. Signed Jacob Dahlgren and dated 2006 on verso. Acrylic on MDF 57 x 52 cm. (d)

Estimate: SEK 18 000 – 20 000 / EUR 1 680 – 1 860

1198. Dan Wolgers, ‘Torso V’. Signed Dan Wolgers and numbered 4/5. Bronze. Height 19 cm, width 27 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

1199. Helene Billgren, ‘Lifting Girl’. Signed Helene Billgren on verso. Executed in 2016. Acrylic on panel 90 x 80 cm. Provenance: Galleri Magnus Karlsson, Stockholm. Exhibitions: Liljevalchs konsthall, Stockholm, ‘faran är över’ 11 October – 8 December 2019. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1200. Jan Svenungsson, ‘Skiss för skorsten till Wanås’. Signed Jan Svenungsson and dated 2007. Pencil on paper 76.5 x 57 cm. Provenance: Galleri Flach Geiger, Stockholm. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1201. Vanessa Safavi, ‘IKA’, from the series ‘Les figures Autonomes’. Executed in 2011. Painted metal. Height 189 cm. Provenance: Galleri Belenius/Nordenhake, Stockholm. Exhibitions: Galleri Belenius/Nordenhake, Stockholm, ‘Interior / Exterior / Sculpture’, 19 February – 15 March 2015.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1202. Bjarne Melgaard, ‘Remembrance of a nasty Kitten’. Signed Melgaard on verso. Canvas 89 x 89 cm. Exhibitions: Kaare Berntsen, Oslo. (d)

Estimate: SEK 100 000 – 150 000 / EUR 9 300 – 13 940

1203. Joakim Ojanen, Untitled. Signed Joakim Ojanen and dated 2015. Glazed ceramic. Height 27 cm. (d)

Estimate: SEK 30 000 – 35 000 / EUR 2 790 – 3 260

1204. Linnéa Sjöberg, From the series ‘Mörka vävar’. Woven VHS magnetic tapes 85 x 85 cm. Provenance: Belenius Gallery, Stockholm. Exhibitions: Biologiska Museet, Stockholm, ‘Biotop’, 22–26 March 2017. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1205. Juri Markkula, ‘Fort Knox’. Signed Juri Markkula and dated 2007 on verso. With inscription ‘SK 0708–008/ML’ on verso. MDF in relievo gilded with gold leaf, 52 x 35 cm including frame. Provenance: Angelika Knäpper Gallery, Stockholm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

1206. Steinar Jakobsen, ‘Sunspot’. Executed in 2001. Oil on aluminum 90 x 125 cm. Provenance: Milliken Gallery, Stockholm. Private collection, Sweden. Acquired from the above. (d)

Estimate: SEK 40 000 – 60 000 / EUR 3 720 – 5 580

1207. Alexander Klingspor, Untitled. Signed A Klingspor. Canvas 72 x 125 cm. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1208. Mr Doodle (Sam Cox), ‘Palm Pals’.

1209. Mr Doodle (Sam Cox), ‘Real Robo’.

Signed Mr Doodle. Marker pen on paper 59 x 42 cm.

Signed Mr Doodle. Marker pen on paper 59 x 42 cm.

(d)

(d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

Eddie Martinez, ‘Bird Heading’ Eddie Martinez, born in 1977 and based in Brooklyn, has become widely acknowledged by critics and collectors alike for his aggressive, raw and eclectic style of painting. In his work, Martinez mixes representation and abstraction, painting and drawing, colors and textures in the same non– hierarchical manner as he shuffles pop culture and Abstract Expressionism with his private personal iconography. The images and motifs that feature in his paintings have included cartoon–like ducks, skulls, and clowns. In addition to using oil paint, Martinez also incorporates a mix of media in his paintings, especially spray paint and markers.

Eddie Martinez is represented by established international galleries such as Timothy Taylor in London and Mitchell–Innes & Nash in New York. He has exhibited extensively worldwide. In 2019 works by Martinez was shown at Perrotin in Hong Kong in the exhibition ‘EMHK19’ and at the show ‘Fast Eddie’ at Museum of Contemporary Art Detroit. He also had a solo show at Bronx Museum of the Arts called ‘ Eddie Martinez: White Outs’ in November 2018 to February 2019. Martinez’s work has been featured in Forbes, The New Yorker, Modern Painters, The New York Times, ArtReview, ARTNews amongst others.

The large painting on paper Bird Heading from 2005 marks the transition from the pronounced representational style of the earlier works towards the more formal abstraction of the current period, which makes the work significant in the creative evolution of the artist.

1210. Eddie Martinez, ‘Bird Heading’. Signed E. Martinez and dated 06. Acrylic on paper 114 x 152 cm. Estimate: 300 000 – 350 000 SEK / 27 890 – 32 530 EUR

1214. Ola Billgren, ‘Kvällstid’ (detail). Signed Ola Billgren and dated –96 on verso. Canvas 52 x 58 cm. (d) Estimate: 125 000 – 150 000 SEK / 11 620 – 13 940 EUR

1210. Eddie Martinez, ‘Bird Heading’. Signed E. Martinez and dated 06. Acrylic on paper 114 x 152 cm. Provenance: Private Collection, Sweden.

Estimate: SEK 300 000 – 350 000 / EUR 27 890 – 32 530

1211. Domenico Bianchi, Untitled. Executed in 1986. Oil and wax on wood 79 x 61.5 cm. Provenance: Sperone Westwater Gallery, New York, 1987. Sothebys, 12 June 1998, lot no 369. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1212. Robert Terry, ‘Resplendent Road’. Signed Robert Terry and dated 1999–2000 on verso. Panel 203 x 123 cm. Provenance: Lars Bohman Gallery, Stockholm.

Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300

1213. Fernandez Arman, ‘Horn of Harmony’/’Corps de Chasse’. Signed Arman and numbered 62/99. Accumulation with horn. Height 61.5 cm, width 50.7 cm including base in metal. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1214. Ola Billgren, ‘Kvällsbild’. Signed Ola Billgren and dated –96 on verso. Canvas 52 x 58 cm. Provenance: Galerie Leger, Malmö. (d)

Estimate: SEK 125 000 – 150 000 / EUR 11 620 – 13 940

1215. Lars Lerin, Untitled. Signed Lars Lerin and dated 90. Watercolour 70 x 100 cm. (d)

Estimate: SEK 125 000 – 150 000 / EUR 11 620 – 13 940

1216. Alexander Klingspor, ‘Explosion II’. Signed A. Klingspor. Canvas 83 x 90 cm. Provenance: The Perfect World Foundation, Gothenburg. (d)

Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1217. Ola Billgren, ‘Providence’. Signed Ola Billgren and dated 1987 on verso. Canvas 157 x 152 cm. Provenance: Acquired from the artist. Exhibitions: Östergötlands länsmuseum, Bohusläns museum, Bildmuseet i Umeå och Jönköpings läns museum/konstförening, ‘Landskap med torn’, 1994–1995. Literature: Östergötlands länsmuseums förlag och författarna, ‘Landskap med torn’, exhibition catalogue, 1986, illustrated p. 15. (d)

Estimate: SEK 500 000 – 600 000 / EUR 46 470 – 55 770

1218. Lena Cronqvist, Untitled. Signed Lena Cronqvist and dated 1982. Canvas 41 x 53 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1219. Petter Zennström, Untitled. Signed PZ and dated 05. With dedication to Mats B on verso. Panel 76 x 61 cm. Provenance: Mats B Collection. Bukowski Auktioner, autumn 2009, cat no 570. Private collection, Stockholm. (d)

Estimate: SEK 15 000 – 18 000 / EUR 1 400 – 1 680

1220. Lena Cronqvist, ‘Flicka i orange med glaskolv’. Signed Lena Cronqvist and dated 2000 – 2001 on verso. Canvas 110.5 x 149.5 cm. Provenance: Lars Bohman Gallery, Stockholm. Exhibitions: Lars Bohman Gallery, Stockholm, ‘Lena Cronqvist’, 2002. Liljevalchs, Stockholm, ‘Lena Cronqvist’, 12 October 2013 – 6 January 2014. (d)

Estimate: SEK 150 000 – 175 000 / EUR 13 940 – 16 270

1221. Anders Knutsson, ‘Playing with light – on the surface of flatness’. Signed and dated 2008 on verso. Oil and fluorescent colour on canvas 90 x 84 cm. Provenance: Galleri Plan B, Växjö.

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1222. Ola Billgren, ‘Melankolisk scen II’. Signed Ola Billgren and dated –92 on verso. Provenance: Galleri Göran Engström, Stockholm. (d)

Estimate: SEK 200 000 – 250 000 / EUR 18 590 – 23 240

1223. Olli Lyytikäinen, ‘Vissnad blomma’. Signed Olli Lyytikäinen and dated 1981. Charchoal on paper 28 x 29 cm. Exhibitions: Malmö Konsthall. Nordiska akvarellmuseet, Skärhamn, 2 March – 4 May 2014. Saolon Taidemuseoo, 7 June – 28 September 2014. Ateneum, Helsingfors, ‘Olli Lyytikäinen’, 8 October 2019 – 5 January 2020. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1224. Olli Lyytikäinen, ‘Arken’. Signed Olli Lyytikäinen and dated 1981. Watercolour 26 x 34 cm. Exhibitions: Malmö Konsthall. Nordiska akvarellmuseet, Skärhamn, 2 March – 4 May 2014. Saolon Taidemuseoo, 7 June – 28 September 2014. Ateneum, Helsingfors, ‘Olli Lyytikäinen’, 8 October 2019 – 5 January 2020. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1225. Ernst Billgren, ‘Kvarglömd sax’. Signed EB. Executed in 1999. Mixed media on panel with bronze decorations, 155 x 275 cm including artist’s frame. Provenance: Galleri Lars Bohman, Stockholm. Literature: Galleri Lars Bohman, ‘Suckers and Housecalls’, 2000, illustrated, cat no 8.

Estimate: SEK 300 000 – 350 000 / EUR 27 890 – 32 530

1226. Marie–Louise Ekman, ‘Ett trasigt mans–monument och en Olle Baertling–tavla’. Signed M.L De Geer Bergenstråhle and dated 1980. Gouache on silk 38 x 29 including original frame. Exhibitions: Galerie Aronowitsch, Stockholm, solo exhibition, April 12–30 1980. Literature: Martina Montelius, ‘Marie Louise Ekman’, 2018, illustrated on fullpage in colour p. 14. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1227. Sten Eklund, Untitled. Signed SE and dated –94. Watercolour 12 x 9 cm. Provenance: Galerie Aronowitsch, Stockholm. Exhibitions: Galerie Aronowitsch, Stockholm, ‘Till minne’, 9 January – 3 February 2010. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1228. John–E Franzén, Untitled. Signed JEF and dated 1977–78. Also signed John–Erik Franzén Fylleskog 1977–78 on verso. Canvas 50 x 59.5 cm. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1229. Elis Eriksson, Untitled. Signed Elis Eriksson on verso. Painted wood, collage, 33 x 27 cm. (d)

Estimate: SEK 20 000 / EUR 1 860

1230. Elis Eriksson, Untitled. Signed EE. Painted wood, collage, 39 x 58.5 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1231. Elis Eriksson, Untitled. Signed Elis E on verso. Painted wood, collage, 31 x 35 cm. (d)

Estimate: SEK 15 000 – 18 000 / EUR 1 400 – 1 680

1232. Lars Lerin, Untitled. Signed Lars Lerin. Watercolour 102 x 153 cm. (d)

Estimate: SEK 250 000 – 300 000 / EUR 23 240 – 27 890

1233. Peter Frie, Untitled. Signed Peter Frie. Canvas 120 x 191 cm. (d)

Estimate: SEK 80 000 – 100 000 / EUR 7 440 – 9 300

1234. Jarl Ingvarsson, ‘Dag Hammarskjöld’. Signed Jarl Ingvarsson and dated –03 on verso. Canvas 100 x 100 cm. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1235. Peter Johansson, ‘Head’. Signed Peter Johansson and dated 2003 and numbered 9/10. Mixed media. Height 55 cm, width 36.5 cm, depth 36.5 cm including show case. Literature: Peter Johansson, ‘Under – Om ett fortgående betongskulpturprojekt i Falu gruva’, compare picture under the headline ‘På femtio famnars djup’. Kulturhuset, exhibition catalogue, ‘Peter Johansson’, 2006, compare pictures under the title ‘Porträtt och Brown Under, 2000’. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1236. Jan Håfström, ‘Berättelsen om ett berg’. Signed Jan Håfström and dated 1984 on verso. Mixed media on panel 110 x 110 cm. Literature: Steven Henry Madoff, ‘Modern Melancholia – Jan Håfström’, 1986, illustrated on fullpage as pl. 54 (dated 1985). Martin Sundberg, ‘Tillvaratagna effekter’, 2005, illustrated on fullpage as No. 31 (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1237. Jarl Ingvarsson, ‘Sven’. Signed Jarl Ingvarsson and dated –08 on verso. Panel 123 x 61 cm. Provenance: Lars Bohman Gallery, Stockholm. Literature: ‘Jarl Ingvarsson – Blommor’, illustrated full page p. 77. (d)

Estimate: SEK 40 000 – 50 000 / EUR 3 720 – 4 650

1238. Anette Harboe Flensburg, Untitled.

1239. Håkan Rehnberg, ‘Madonnan’.

Signed Anette H Flensburg on verso. Canvas 180 x 180 cm.

Executed in 1986. Painted steel 22 x 24 x 8.3 cm.

(d)

Provenance: The collection of Karl–Erik Johansson. Literature: Karl–Erik Johansson, ‘Samla sitt liv – konstälskarens bilderbok’, 2010, illustrated p. 131. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1240. Rolf Hanson, ‘Aloume’. Executed in 1989. Oil on panel 79 x 61 cm. Provenance: The collection of Karl–Erik Johansson Literature: Karl–Erik Johansson, ‘Samla sitt liv – konstälskarens bilderbok’, 2010, illustrated p. 71. (d)

Estimate: SEK 50 000 – 70 000 / EUR 4 650 – 6 510

1241. Thomas Olsson, Untitled. Signed TO and dated 2011 on verso. Mixed media and assemblage. Height 32 cm, length 36 cm, depth 11.5 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1242. Linn Fernström, ‘Höra till’.

1243. Susanne Johansson (fd Simonson), ‘One wing III’.

Signed Linn Fernström and dated 2009 on verso. Mixed media on paper 78 x 57 cm.

Signed Susanne Johansson and dated 2012 on verso. Panel 31 x 27 cm.

(d)

(d)

Estimate: SEK 35 000 – 40 000 / EUR 3 260 – 3 720

Estimate: SEK 12 000 – 15 000 / EUR 1 120 – 1 400

1244. Marie–Louise Ekman, Untitled. Signed M.L Ekman and dated 1996. Mixed media on paper mounted to glass 40 x 30 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1245. Andreas Eriksson, ‘Landskap med hydda’. Signed Andreas Eriksson and dated Medelplana 2006 on verso. Oil on canvas 39 x 54 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1245A. Tommy Hilding, Untitled. Signed and dated 2014 verso. Canvas 40 x 61 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1246. Kehnet Nielsen, ‘Memoires no. 1’.

1247. Helmut Middendorf, ‘3 witches’.

Signed Kehnet Nielsen and dated 1995 a tergo. Canvas 146 x 100 cm.

Signed Middendorf. Mixed media on paper 99 x 69 cm.

Provenance: Galleri Susanne Ottesen, Copenhagen (d)

(d)

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

Estimate: SEK 30 000 – 40 000 / EUR 2 790 – 3 720

1248. Koen Vanmechelen, ‘Walking egg’.

1249. Koen Vanmechelen, ‘Walking egg’.

Signed K.V and numbered 10/29. Glass and metal, height ca 28 cm.

Signed K.V and numbered 8/29. Glass and metal, height ca 28 cm.

(d)

(d)

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

Estimate: SEK 25 000 – 30 000 / EUR 2 330 – 2 790

1250. Nicola Costantino, ‘Circular frieze of stillborn animals’. Mixed media 200 x 200 cm. Provenance: Galleri Christian Dam, Oslo. Exhibitions: Galleri Christian Dam, Oslo, 2005.

Estimate: SEK 150 000 – 175 000 / EUR 13 940 – 16 270

1251. Koen Vanmechelen, Untitled. Signed. Executed in 1989. A certificate of authenticity from Berengo Studio accompanies the work. Mixed media on paper 110 x 72.5 cm. Provenance: Berengo Studio, Murano. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1252. Koen Vanmechelen, Untitled. Signed. Executed in 1989. A certificate of authenticity from Berengo Studio accompanies the work. Mixed media on paper 72.5 x 110 cm. Provenance: Berengo Studio, Murano. (d)

Estimate: SEK 50 000 – 60 000 / EUR 4 650 – 5 580

1253. Fernandez Arman, ‘Violin with two necks’. Signed Arman and numbered I/XXX. Patinated bronze on stone base. Height 28 cm, width 10 cm including base. (d)

Estimate: SEK 8 000 – 10 000 / EUR 750 – 930

1254. Li Jisen, ‘Assault on a temple’. Signed Li Jisen and dated 2007. Signed certificate issued by Eight Art Gallery in 2016 accompanies the work. Canvas 180 x 150 cm. Provenance: Eight Art Gallery, Singapore.

Estimate: SEK 50 000 – 70 000 / EUR 4 650 – 6 510

1255. Terence Koh, ‘We are entering the age of the mind’. Signed Koh and dated 02 jun 18 2:53 PM. Pencil on paper 28 x 21.5 cm. Provenance: Acquired directly from the artist by the current owner.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1256. Terence Koh, ‘Entire field of known existence’. Signed Koh and dated 26 oct 18 12:32. Pencil on paper 28 x 21.5 cm. Provenance: Acquired directly from the artist by the current owner.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1257. Terence Koh, ‘Without thinking too much eye let the ocean waves in front of me now guide my pencil’. Signed Koh and dated 01 mar 18 2:53 PM. Mixed media on paper 28 x 21 cm. Provenance: Acquired directly from the artist by the current owner.

Estimate: SEK 20 000 – 25 000 / EUR 1 860 – 2 330

1258. Gao Xingjian, ‘Au fond de la memoire de l’âme’. Signed with stamp. Executed in 1996. Ink on paper 47 x 50 cm. Provenance: A gift directly from the artist to the family of the current owner.

Estimate: SEK 40 000 – 60 000 / EUR 3 720 – 5 580

1259. John Baldessari, ‘Jacobs Ladder: Love (Yellow, Red, Blue and Black and White); War (Orange, Violet, Green and Black and White)’. Signed Baldessari and dated –04, numbered 6/50. Published by Deutsche Guggenheim, Berlin. Kinetic multiple of anodization prints, aluminum elements and stand, with integrated motor and gear system. Height 73 cm, width 30 cm. Estimate: SEK 60 000 – 80 000 / EUR 5 580 – 7 440

1259A. Marie–Louise Ekman, ‘Donna dalla faccia nera’. Signed ML.E and numbered 3/8. A later metal stand accompanies the work. Glass. Length 29, width 30 cm. Estimate: SEK 18 000 – 20 000 / EUR 1 708 – 1 898

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